Film International | Thinking Film Since 1973

The Uncanny Invades: Jordan Peele’s Us »

By Matthew Sorrento. The most unfortunate aspect of Jordan Peele’s Get Out was its creator’s attempt at self-criticism. Some months after the film’s release, Peele accepted an offer…

“What Might Have Been”: The Magnificent Ambersons (Criterion Collection) »

By Tony Williams. “Anybody who does things their own way while they’re working with a corporation is going to be problematic.” – Jonathan Rosenbaum, audio-commentary, The Magnificent Ambersons Criterion Collection…

Twilight of the Idol: Eastwood’s The Mule »

By James Slaymaker. Like many late-period Eastwood films, The Mule is a revisionist genre piece with a pronounced self-reflexive streak. It only takes a glimpse at the poster…

His Own Man – George Raft: The Man Who Would be Bogart by Stone Wallace »

A Book Review Essay by Tony Williams. Enter George Raft groom cum chauffeur – He lurked hand and collar and hands in his pockets – Heavy with menace…

The Eternal Dilemma: Tarkovsky’s Andrei Rublev (The Criterion Collection) »

By Tony Williams. After reviewing the disappointing Criterion Von Sternberg/Dietrich DVD Collection and noting the company’s inexplicable emphasis on popular films available elsewhere, it is a pleasure to…

Watering the Money Tree: Eugen Damaschin’s Beautiful Corruption (2018) »

By Brandon Konecny. In 2014, Moldova experienced what many observers called the “theft of the century.” One billion dollars disappeared from the country’s banking system. That’s nearly an…

First Man and Last Things »

By Christopher Sharrett. I have just recently seen Damien Chazelle’s First Man after putting it off during its initial release. The film holds some interest for me, unlike…

Just Slightly Off: True Stories »

By John Duncan Talbird. My friends and I loved the Talking Heads when we were in college. You could not go a week in our house without hearing at…

There’s No Place Like Home: Revisiting Eight Hours Don’t Make a Day (Criterion Collection) »

By Jeremy Carr. In her essay for the Criterion Collection release of Eight Hours Don’t Make a Day, Moira Weigel opens with a roll call of the assorted characters…

Re-Working Hitchcock: Brian De Palma’s Sisters (Criterion Collection) »

By Tony Williams. De Palma’s Sisters has long been overdue for a new 4K digital restoration that Criterion now supplies along with some significant supplementary material on the…

Natalie Portman and Pablo Larrain on the set of Jackie

Notes on Pablo Larraín »

By Christopher Sharrett. Some months ago I published in this location brief remarks on Pablo Larraín’s remarkable film Jackie (2016), one of the most compelling works of its…

Festival Reports

The Weight of the Journey: The 2019 Miami International Film Festival »

By Gary M. Kramer. At this year’s Miami International Film Festival, there are some interesting debuts, some intriguing slow-burn films, and some compelling documentaries. Here is a rundown of a half-dozen titles screening…

By Gary M. Kramer. The DC Independent Film Festival, unspooling March 1-10 in Washington, DC, is celebrating its 20th year in 2019. This year’s program features dozens of features and shorts, along with a…

By Gary M. Kramer. Now in its 25th year, the Slamdance Film Festival – held in Park City, Utah, January 25-31, 2019 – is a showcase for independent filmmakers. Here is a rundown of…

By Martin Kudláč. The largest annual Swiss film gathering, and one of the longest running film festivals in the world, in Locarno flourished into a sought-after cinephile event, some say even “the worldwide cinephile…

The Glorious Acceptance of Nicolas Chauvin

By Gary M. Kramer. Two shorts programs at this year’s New York Film Festival feature new and exciting works by debut, established, and returning filmmakers. The International Shorts Program II opens with the…

By Alex Ramon. “You need an independent spirit if you’re going to go into film or music: so many people will tell you that you can’t do it,” said Diane Warren, on stage…

By Michael Miller. The 17th Tribeca Film Festival unspooled April 18 – 29, 2018 across seven venues in Manhattan. The festival celebrates storytelling whether in the form of narrative features, documentary, virtual reality and…

By Martin Kudláč. For some time, Berlinale has been grooming its image as a political film festival. Its 2018 edition, which is its current director’s penultimate edition in charge as Dieter Kosslick is to…

Interview

Heisting Nixon: Mark Steven Johnson on Finding Steve McQueen »

By Jake Rutkowski. The 1972 United California Bank robbery and the gang that pulled it off don’t occupy a lot…

By Yun-hua Chen. Agostino Ferrente, the director of Selfie, started this film project with the initial intention to document…

By Neila Driss. During the 40th edition of the Cairo International Film Festival (CIFF), which took place from November…

By Tom Ue. Vladimir de Fontenay’s Mobile Homes follows a young mother (Imogen Poots), her boyfriend (Callum Turner), and her eight-year-old…

By Travis Merchant. At some point, films focused on teenage characters started growing stale with repeating motifs, themes, and…

By Tom Ue. My Life with James Dean finds Géraud Champreux (Johnny Rasse), the film’s central protagonist, presenting his first…

By Anna Weinstein. Rachel S. Harris’s book Warriors, Witches, and Whores: Women in Israeli Cinema (Wayne State University Press, 2017)…

By Sergey Toymentsev. Alexei Uchitel is the leading Russian director whose features regularly receive awards at international and domestic festivals.…

By Tom Ue. With A Moment in the Reeds, London-based filmmaker Mikko Mäkelä seeks to fill the queer void…

By Ali Moosavi. Iranian cinema has made its mark on the global film world thanks to film makers such…

By Tom Ue. Much of contemporary crime fiction revolves around the search for resolution rather than solution. Some, such…

Tony Williams: Thank you for publishing this interview. There may be hope for this “ugly society” if more...
Matthew Sorrento: Reading about this “misfit” cowboy narrator, I can’t help wonder if the Coens...
Matthew Sorrento: This sounds like an interesting mediation on the politics of gender and, more specifically, our...
Melinda: Great interview, John! I enjoyed the specificity of your questions as well as the conversational style of...
Matthew Sorrento: I agree with Tony, Daniel — thanks for commenting on the issues this film addresses. This...

Review

A “Spinster’s” Last Stand: Woman at War »

By Michael Sandlin. Icelandic director Benedikt Erlingsson, in his sophomore directorial effort Woman at War, imagines the chaos that ensues when a middle-aged spinster’s frustrated motherly instincts compete with her…

The Uncanny Invades: Jordan Peele’s Us »

By Matthew Sorrento. The most unfortunate aspect of Jordan Peele’s Get Out was its creator’s attempt at self-criticism. Some months after the film’s release, Peele accepted an offer from Reddit…

Idris at the Helm: Yardie »

By Ali Moosavi. The media have been so preoccupied with whether or not Idris Elba will become the next James Bond that somehow his first venture into directing, Yardie, has…

Welcome to the Universe: Captain Marvel »

By Elias Savada. Packing a $153 million weekend wallop here in her home country, and a huge $455 million on her native planet, Captain Marvel, the latest addition to the Marvel…

Tradition Against Trafficking: Birds of Passage »

By Ali Moosavi. Films about drug trafficking in Central and South America have been on our cinema and TV screens almost continuously, from Scarface to Sicario. In recent years, there…

What We’re Left with at the End: Jupiter’s Moon »

By John Duncan Talbird. In the opening seconds of Kornél Mundruczó’s White God (2014), we see a bird’s-eye view of Budapest, but a Budapest absent any people. It’s reminiscent of…

A Problem of Catharsis and Urban Space: Ondi Timoner’s Mapplethorpe »

By Mina Radovic. Robert Mapplethorpe is one of New York’s famous black-and-white photographers of the 1970s: coming out after the Warhol generation and in touch with the underground, Mapplethorpe is…

Deliberate Relief: Visconti’s Death in Venice (Criterion Collection) »

By Gary M. Kramer. Death in Venice, Luchino Visconti’s sumptuous adaptation of the 1912 Thomas Mann novella, has been released on DVD and Blu-ray by the Criterion Collection in a…

A Cinephile’s Cinephile – Mysteries of Cinema: Reflections on Film Theory, History and Culture 1982-2016 by Adrian Martin »

A Book Review by Jeremy Carr. At the very least, Adrian Martin’s Mysteries of Cinema: Reflections on Film Theory, History and Culture 1982-2016 (Amsterdam University Press, 2018) makes the reader…

A Career Cut Short – Laird Cregar: A Hollywood Tragedy by Gregory William Mank »

A Book Review by Tony Williams. “It was not only his desire to play heroic roles that made him diet, but the hope that he would attract a young lover…

Dominick Bagnato's A Convenient Truth (2015)

The Compulsive Writer-Director’s Guide – Making Your First Feature Film by Dominick Bagnato »

A Book Review by Mads Larsen. If you have a few hundred thousand dollars to burn, and although you have no experience, you are obsessed with making your own film…

Fighting in America: Tim Sutton’s Donnybrook »

By Thomas Puhr. It’s only fitting that writer-director Tim Sutton’s latest, Donnybrook (2018), opens with a voyage by boat. Like Odysseus, Jarhead Earl (Jamie Bell) undergoes a long journey that…

Handicapping the Oscars: 2019 Oscar Nominated Shorts »

By Elias Savada. Another year and another Academy Awards show looms large, filled with commentary about snubs and surprises and a program, the first in decades, without a host. While many…

“Lillie Plays Violet”: Exit Smiling (A San Francisco Silent Film Festival Review) »

By Janine Gericke. On Saturday, December 1st, the SF Silent Film Festival held its annual Day of Silents winter program at the famed Castro Theatre. As I’ve previously covered, the…

They Shall Not Grow Old – But All Shall Perish »

By Christopher Sharrett. I don’t feel especially generous toward Peter Jackson’s “new” (hardly the right word) film, and must call it stunt filmmaking. With the help of the BBC and…

The Impatient Actor – Gene Hackman, The Life and Work by Peter Shelley »

A Book Review by Louis J. Wasser. It’s entirely possible you’ll come away from Peter Shelley’s biography of Gene Hackman knowing less about the actor than you thought you knew.…

Beyond Quatermass – Brian Donlevy, the Good Bad Guy: A Bio-Filmography by Derek Sculthorpe »

A Book Review by Tony Williams. It is early evening watching on UK’s ITV channel, the only one of two that existed in those pre-cable days in an era resembling…

Real-Life Whac-a-Mole: Rodents of Usual Size »

By Elias Savada. First, I thought this might be another horror film with oversized critters due to 1) atomic radiation run amuck, 2) global waming (as Mr. Trump likes to call…

Redemption: Red Kimona (A San Francisco Silent Film Festival Review) »

By Janine Gericke. During the silent film era, some of the most prolific and highest earning producers, writers, and filmmakers were women. Many of these films involved stories about issues…

Fifty Shades of Deep Red: Piercing »

By Jeremy Carr. “You have to relax.” These words of advice come from Laia Costa’s Mona, near the beginning of Piercing, the second film from writer-director Nicholas Pesce. She is…

An Abdurdist, Black Comedy Mixer: Pig »

By Ali Moosavi. To fans of Asghar Farhadi, Mani Haghighi may be known for co-writing the script of Fireworks Wednesday (Chaharshanbeh Soori) and acting in About Elly (Darbareye Elly). He…

By Brandon Konecny. In 2014, Moldova experienced what many observers called the “theft of the century.” One billion dollars disappeared from the…

By Elizabeth Toohey. R. Kelly; the backlash against Gillette; the abduction of 13-year-old Jayme Closs, held captive for three months; Larry Nassar’s abuse…

A Book Review by Tony Williams. Yorkshire resident Derek Sculthorpe is an archivist who has also written plays, short stories, and articles…

A Book Review by Tony Williams. Initiated last year with the appearance of monograph studies of Theatre of Blood and Martin, this…

By Arash Azizi. Hendi and Hormoz, which screened at the first-ever Iranian Film Festival of New York on January 11, has many…

By Jeremy Carr. The men of The Standoff at Sparrow Creek exist in a world of violence. It can be a basic…

By Noah Charney. Slovenian documentary films are at their best when they do not appear to be documentaries. When we imagine documentaries,…

By Tony Williams. These DVD restorations represent another important collaborative venture on the part of The Mary Pickford Foundation and Flicker Alley,…

By Janine Gericke. Matthew Brown’s Maine is a quiet, observational film, in every sense. Not a word is uttered for nearly the…

By Elias Savada. Baltimore filmmaker Joe Tropea tackles a not very pressing subject with his new film. It’s an admirable history lesson…

By Devapriya Sanyal. Uma is Srijit Mukherji’s twelfth film in seven years. It is based on a real story, which by the…

By Michael Sandlin. Alexis Bloom’s Divide and Conquer could have easily been conceived as a shameless liberal hit job on an easy target:…

By Matthew Fullerton. Japanese director Hirokazu Kore-eda’s latest drama, the Palme-d’Or-winning Shoplifters (Manbiki Kazoku), is the story of an out-of-the-ordinary family: Osamu…

A Book Review by Tony Williams. In one way, my title is misleading. Despite the impressive appearance of Henry Brandon’s Scar appearing as…

By Brandon Konecny. “My visceral reaction when I hear someone is making a movie about skateboarding is…I wish they [sic] wouldn’t,” says…

By Janine Gericke. In 1977, Italian horror legend Dario Argento released Suspiria – a seminal classic among horror fans and cinephiles. Luca Guadagnino, whose Call…

By Daniel Lindvall. In May 1973 six women and five men set out from the Canary Islands to cross the Atlantic to…

By Elias Savada. Scandinavian folklore is home to dozens of curious creatures. Trolls, dwarves, and elves might be the ones most of us…

By Martin Kudláč. The Locarno International Film Festival has a notorious sweet spot, Piazza Grande, one of the biggest squares in Switzerland where…

A Book Review by Alexandra Heller-Nicholas. There’s a shared lightning bolt moment I’ve discussed at length with many other film critics and…

By Michael Sandlin. Director Luis Ortega’s El Angel (co-produced by Pedro Almodovar) is a quietly disturbing but ultimately unsatisfying character study based…

By Elias Savada. The exceptionally crisp performances by Mahershala Ali and Viggo Mortensen are but two of the great things about Green Book,…

By Elias Savada. The breakneck parade of Hollywood celebrities seems endless in Peter Bogdanovich’s love letter to silent film comedian Buster Keaton. It…

By Tony Williams. Gregory La Cava’s My Man Godfrey (1936) is admittedly one of the best screwball comedies of the 1930s that…

A Book Review by Madeline Hawk. Using prolific Korean New Wave director Im Kwon-Taek to introduce Korean cinema’s preoccupation with its colonial…

By Janine Gericke. I really wanted to like Killer Kate! It’s clear that director Elliot Feld loves horror movies and has grown…

By Jeremy Carr. The opening narration of The Naked Prey (1965) sets the scene in the African wilderness and the nature of humanity in…

By Janine Gericke. Director Megan Griffiths has made a captivating film about how one parent’s absence can have immense complications on the…

A Book Review by Brandon Konecny. For many today, the name John Barrymore means little – except, perhaps, that it shares the…

By Elizabeth Toohey. If ever a movie was ripe for release, it’s the new bio-pic Colette. The life and career of one…

By Gary M. Kramer. The gentle, charming documentary, Tea with the Dames eavesdrops on the gossip, memories, and laughs shared by four…

By Christopher Sharrett. Yann Demange’s White Boy Rick is a smaller-budget film of the season almost buried by franchise movies like The…

By Tony Williams. Imagine Lee J. Cobb (1911-1976) playing a star role as an honest cop turned bad played for a sucker…

By Janine Gericke. Lizzie Borden’s infamous story is horrifying. On August 4, 1892, Borden’s father and stepmother were found bludgeoned to death…

By Elias Savada. Alex Honnold dreams the impossible dream, and he climbs where the brave dare not go. Unlike Don Quixote, he defies…

By Jeremy Carr. Street Mobster found director Kinji Fukasaku at a pivotal point in his career, a situation reflected in the evolution of…

By Alex Brannan. If one were to just slightly retool Phillip Guzman’s Sleep No More (aka 200 Hours) – eliminate the gore…

By Elias Savada. Hal (no relation to the sentient computer in Stanley Kubrick’s classic 2001: A Space Odyssey), is a reflective meditation on…

A Book Review by Thomas Puhr. For many, the term “avant-garde” is synonymous with pretension: a sub-subgenre that revels in its impenetrability…

A Book Review by Alex Brannan. For those experiencing a Jess Franco film for the first time, the response is unlikely to…

By Elias Savada. The crazy wait-who-did-what? mystery that is A Simple Favor offers up a pair of smooth, subversive, suburban housewives that spin…

By Ali Moosavi. Toronto International Film Festival (TIFF) has had a rapid rise in the last few years to become one of…

By Elias Savada. Science Fair, the new National Geographic documentary, follows the audience-pleasing formula easily recognizable in its predecessors. There are many fans…

A Book Review by Alex Brannan. Steven Gerrard’s The Modern British Horror Film (Rutgers University Press, 2017) is a slim, pocketbook-sized volume.…

A Book Review by Louis J. Wasser. Silent film great Harry Langdon died at sixty of a cerebral hemorrhage three years before…

By Alex Ramon. Without a doubt, the biggest Polish cinematic success of the past decade has been Paweł Pawlikowski’s 2013 film Ida. Feted…

By Janine Gericke. Based on the novel by Penelope Fitzgerald, Isabel Coixet’s The Bookshop takes place in a conservative coastal village in…

By Alex Brannan. A quick search into the work of Rene Daalder yields an interesting array of artistic pieces varied in concept, medium,…

By Janine Gericke. How do we balance work, family, friends, everything in our lives without breaking? This relatable film is a study…

By John Duncan Talbird. New Zealand’s short-lived new wave came quite a bit after most other national cinemas’ new waves. Kick-started by the…

Far from Paradise: Dietrich and Von Sternberg in Hollywood (Criterion Collection) »

By Tony Williams. A box set containing the Josef Von Sternberg (1894-1969) and Marlene Dietrich (1901-1992) collaboration, even if copyright reasons exclude…

A Book Review Essay by Matthew Sorrento. Genre studies, whether treating film genre history as evolutionary or as cycles, always has to…

A Book Review Essay by Tony Williams. Any book or article by Joseph McBride is worth reading, especially in this era of…

A Book Review Essay by Tony Williams. I initially saw this 2010 book as a main feature on this company’s web site and requested…

A Book Review Essay by Tony Williams. Deliberately described as a “provocative film scholar,” this prolific, self-educated expert in film, who has…

By Tony Williams. For those really interested in the art of cinema, the achievements of King Hu (1932-1997) are comparable to others…

By John W. Fawell. The following is an excerpt from Ernst Lubitsch’s The Student Prince in Old Heidelberg: the Art of Classic Hollywood,…

By Declan Cochran. Introduction (Pre-Match Warm-Up) Cinematically speaking, the filmed football match is a curious phenomenon, one that seems to integrate a…

By Christopher Sharrett. I have been meaning for some time to put pen to paper about Andrei Tarkovsky, about whom I’ve been…

By Johannes Schönherr. Kim Jong Il, the son of North Korea’s founder and Great Leader Kim Il Sung, went early in his…

A Book Review Essay by Tony Williams. When recovering from reviewing lesser works by well-established publishers, whether direct-to-library or university presses, it…

By Elizabeth Toohey. Do we really need another Stanley Kubrick documentary? There’s the comprehensive Stanley Kubrick: A Life in Pictures (2001), with…

By Richmond B. Adams. During “The Reaping” sequence from Suzanne Collins’ The Hunger Games, Katniss Everdeen (Jennifer Lawrence) “volunteer[s] as tribute” to…

By Elizabeth Toohey. Towards the end of the powerful new documentary RBG, we follow the 85-year-old Supreme Court justice Ruth Bader Ginsburg into…

By Tony Williams. I saw my first episode of The Outer Limits on a regional independent television station in the mid-60s. Opening…

By Matthew Fullerton. As Hollywood grapples with diversity issues, it is interesting to note how Tunisia, an emergent democracy since its 2011…

By Jeremy Carr. Rainer Werner Fassbinder was particularly adept at transitioning between the cinema and television (and theater, for that matter), starting the…

By David Greven. An exchange I had with an older, straight, white academic in Film Studies serves as an instructive example of…

By Christopher Weedman. Among the most impressive film restorations of 2017 was Marcel Pagnol’s Marseille Trilogy (1931-36), which I reviewed last March…

A Book Review Essay by Jeremy Carr. Alexia Kannas’ Deep Red (Columbia University Press, 2017), her contribution to the Wallflower Press Cultographies series,…

By André Seewood. Every weekend numerous websites inform us of the short term box office grosses of various films like Star Wars: The…

A Book Review Essay by Tony Williams. Captain Hornsby: “What an extraordinary fellow!” Colonel Thompson: “Well, he’s an American.” – Too Late the…

A Book Review Essay by Tony Williams. If Dr. Johnson had James Bosworth as his chronicler in the inimitable The Life of…

A Book Review Essay by John Duncan Talbird. There are snowy peaks all around, majestic crests, and the mountains tower like Holy Cathedrals.…

By Matthew Sorrento. After the release of his horror-comedy Re-Animator (1985), debuting filmmaker Stuart Gordon was very conscious that the film would…

By Tony Williams. 1946 was an “annus mirabilis” (“amazing year” for those who never studied Latin) for American, British film noir, and…

By Tony Williams. Following the release of several new remastered DVDs after the 2015 Orson Welles Centenary and the expected completion of…

A Book Review Essay by Jeremy Carr. “Even today, I’ve no idea what the truth is, or what I did with it.”…

By Tony Williams. This is the moment when the Italianization of the Western was complete. –Alberto Moravia, quoted by Christopher Frayling As…

By Christopher Sharrett. One of the characteristics of our militarized society, aside from the constant deluge of cop shows, superhero movies, and…

By Christopher Weedman. Walter Matthau (1920-2000) was among Hollywood’s most charismatic stars of the late 1960s and 1970s. During this fascinating period…

By Christopher Sharrett. I count Michael Haneke’s The Piano Teacher (2001) among his supreme masterpieces, along with Code Unknown (2000), Cache (2005),…

By Johannes Schönherr. New York City, June 27th 1993: Notorious punk rocker GG Allin had finally served out a lengthy prison sentence in…

A Book Review Essay by John Duncan Talbird. David Simon’s television series The Wire ran on HBO from 2002-2008, five seasons of a…

By Devapriya Sanyal and Melissa Webb. The Indian film critics have done it again! As Glover and Kaplan state in their book Genders, the term “gender”…

A Book Review Essay by Tony Williams. It is as if in movies, TV and books, genre progresses through a series of…

By Heather Hendershot. One week after Donald Trump’s inauguration, Sinclair Lewis’s It Can’t Happen Here reached the #9 position in book sales on Amazon. Brave…