Festival Reports

A Revolutionary Festival: 33rd International Festival of Mediterranean Cinema at Montpellier (October 21-29, 2011) »

My Land

By Christiane Passevant translated by Neville Rigby. True to tradition, the 33rd International Festival of Mediterranean Cinema, CINEMED, fulfilled its role in revealing new cinematic talent, while also reflecting the new movements, revolts…

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EPFF6: Sixth European Psychoanalytic Film Festival, 3-6 November 2011 »

Steam of Life.  Courtesy of Mika Hotakainen

By Yun-hua Chen. Organised by The Institute of Psychoanalysis under the Honorary Presidency of Bernardo Bertolucci, the Sixth European Psychoanalytic Film Festival is a miniature film festival with the specific theme of “Border-Crossing:…

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Interview

Treasures from the Archives: an interview with Clyde Jeavons »

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By Parviz Jahed. Clyde Jeavons is the programmer of the London Film Festival’s ‘Treasures from the Archive’ section. He…

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The New Tenants’ Day from Hell Leads to an Oscar »

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The New Tenants won the Academy Award for best live action short film in 2010. Amy R. Handler has…

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The Man with the Video Camera: an interview with Alain Cavalier »

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By Santiago Rubín de Celis. The films by Alain Cavalier (born in Vendôme, France, in 1931) are the result…

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Born in Suez: Khaled El Hagar »

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At the inaugural launch of the UK’s recurring Arabic Film Festival, Omar Kholeif, the festival’s director caught up with…

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Just Doing It: an interview with Emily James »

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By Deirdre O’Neill. Emily James is an independent documentary filmmaker and producer who has worked in both television and…

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Print the Legend: Andrew Rossi on Page One – Inside the New York Times »

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By Matthew Sorrento. In the early 1930s, just after the birth of sound in movies, an older medium was…

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MOST RECENT

  1. Saving London’s Cinema Museum: A Little Film Club
  2. From Where Clooney’s Oscar Nominated Role Descends
  3. Extremely Loud and Incredibly Close
  4. The Skin I Live In (2011)
  5. Treasures from the Archives: an interview with Clyde Jeavons
  6. Sex in the City of Pornocracy
  7. The Girl with the Dragon Tattoo (2011)
  8. The New Tenants’ Day from Hell Leads to an Oscar
  9. The Adventures of Tintin (2011)
  10. The Descendants (2011)
  11. “Datong: The Great Society” Receives Inaugural Movie of the Year Award
  12. The Artist (2011)
  13. Late Hollywood Silent Film Melodrama: upcoming issue
  14. Last Words of Mr. Kurtz
  15. The First Latina to Conquer Hollywood
  1. antonio rubini: i collaborate with a film festival in trieste called Mille occhi (Thousand eyes) after Fristz lang...
  2. Rick Evans, Jr.: “The New Tenants” is the strangest movie I’ve ever seen. I saw the film in NY and...
  3. Amy R Handler: Thanks for the provocative analysis of this outrageously contrived (Oscar winning) work. Nothing felt...
  4. Oblong Jerry: I heard somebody talking about this on the radio yesterday, but I can’t remember what station it...
  5. Christopher Sharrett: I appreciate your comments, but find this film wanting. Eastwood seems to have discovered that...

Review

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Extremely Loud and Incredibly Close »

By Christopher Sharrett. Upon viewing Stephen Daldry’s Extremely Loud and Incredibly Close, I am reminded of the difficulty the American mind has in conceiving its own destruction, at least by…

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Robert (backwards) watching Vera on a screen. Left to Right: Antonio Banderas as Doctor Robert Ledgard and Elena Anaya as Vera. Photo by Jose Haro/ © El Deseo, Courtesy of Sony Pictures Classics.

The Skin I Live In (2011) »

By Jacob Mertens. The iconic image of Dr. Frankenstein hunched over a slab of metal, peering into the glassy eyes of his patch-work creation, cannot be easily forgotten when watching…

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Sex in the City of Pornocracy »

By Celluloid Liberation Front. A bruised urban womb, livid with solitude and alienation: New York, phallocratic capital of the New World. Venting his inner but tangible malaise is Brandon, a…

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The Girl with the Dragon Tattoo (2011) »

By Steven Harrison Gibbs. Based on Stieg Larsson’s internationally-acclaimed novel (originally titled The Men Who Hate Women), the latest film from David Fincher struck a chord of dissonance during its…

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The Adventures of Tintin (2011) »

By William Frasca. One of the best family films to see this holiday season is The Adventures of Tintin. This full-length animated film is a smart, simple adventure movie that…

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Actors Shailene Woodley as Alexandra, George Clooney as Matt King and Amara Miller as Scottie on the set of THE DESCENDANTS

The Descendants (2011) »

By Jacob Mertens. At the beginning of Alexander Payne’s The Descendants, George Clooney’s disembodied voice hovers over idyllic imagery of Hawaii, warning the audience that the content of the film…

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Jean Dujardin as George Valentin and Berenice Bejo as Peppy Miller in Michel Hazanavicius's film THE ARTIST. Photo by: The Weinstein Company.

The Artist (2011) »

By Janine Gericke. If you feel wary of committing yourself to a 100-minute silent black and white film, I beg you to reconsider: The Artist may be one of 2011’s…

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Going Places (1974) »

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By Gary M. Kramer. Bertrand Blier’s Going Places—recently re-issued on DVD and Blu-Ray—is perhaps as brazen as it must have been upon…

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The Girl With The Dragon Tattoo (2011) »

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By Bryan Nixon. I have not read The Girl With The Dragon Tattoo by Stieg Larsson and I have not seen the…

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Sherlock Holmes: A Game of Shadows (2011) »

ROBERT DOWNEY JR. as Sherlock Holmes, JUDE LAW as Dr. James Watson and NOOMI RAPACE as Madam Simza Heron in Warner Bros. Pictures' and Village Roadshow Pictures' action adventure mystery 'SHERLOCK HOLMES: A GAME OF SHADOWS,' a Warner Bros. Pictures release. Photo by Daniel Smith

By Jacob Mertens. Imagine the dim squalor of a CGI 19th century London. A conspicuous automobile squeezes past a narrow alley, coughing smoke,…

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American Translation (2011) »

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By Gary M. Kramer. Another penetrating examination of sex and crime, love and death, Pascal Arnold and Jean-Marc Barr’s compelling American Translation…

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Tom McCarthy’s Win Win: All in the Game »

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By Matthew Sorrento. While wary of classification in general, filmmakers and cinephiles resist associations to the “sports movie” the most. The athlete’s…

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We Need to Talk About Kevin (2011) »

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By Carolyn Lake. The much anticipated adaptation of Lionel Shriver’s award-winning novel, We Need to Talk About Kevin, has become one of…

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Preaching Brimstone in Camp Hell »

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By Cleaver Patterson. Camp Hell (2010) is not as the title may suggest an expose of the outer fringes of gay culture.…

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Red Dog (2011) »

Josh Lucas stars as John in Roadshow Films' Red Dog (2011).

By Carolyn Lake. Kriv Stenders’ Australian box-office hit of the year, Red Dog recently cleaned up at the Inside Film Awards –…

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A Dangerous Method (2011) »

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By Bryan Nixon. Director David Cronenberg is an auteur of flesh cinema whose films consistently examine the psychology of sex, violence, and…

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Kumaré (2011) »

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By Jacob Mertens. I have always believed in an idea of spirituality. For me, spirituality encompasses an intimate relationship between an individual…

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Take Shelter (2011) »

Curtis sees his bizarre dreams as a foreboding of an impending, apocalyptic storm.

By Steven Harrison Gibbs. During an interview with CinemaBlend.com, writer/director Jeff Nichols observed that, “Anxiety, no matter how free-floating it is, it’s…

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J. Edgar (2011) »

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By Bryan Nixon. “Edgar, you will rise to be the most powerful man in this country,” Annie Hoover (Judi Dench) prophesies to…

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A Familiar Ceremony »

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By Amy R Handler. Max Winkler’s debut feature, Ceremony(2010), puts a new spin on the old coming-of-age tale with edgy sensitivity, cryptic…

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Don’t Be Afraid of the Dark: A Fairy Tale Remake »

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By Anna Arnman. Against her will, a young girl, Sally (Bailee Madison), moves in with her estranged father Alex (Guy Pearce) and…

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Orgasm Inc. »

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By Amy R Handler. The war between pharmaceutical companies and the personal injury lawyers fighting them can be seen on virtually every…

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CinemAfrica 3: The Last Laugh in N’Djamena »

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By Daniel Lindvall. A Screaming Man, written and directed by Chadian Mahamat-Saleh Haroun, was selected as best feature film at CinemaAfrica, Stockholm’s…

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Tyrannosaur (2011) »

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By Jacob Mertens. The title of Paddy Considine’s film Tyrannosaur can’t help but call to mind a vicious rampage of death and…

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Melancholia (2011) »

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By Bryan Nixon. The notorious Dogme 95 elitist Lars von Trier hanged Bjork (Dancer in the Dark, 2000), forced Jorgen Leth to…

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‘Where there are Mines Lives the Devil’ – Altiplano »

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By Amy R Handler. Award winning filmmakers Peter Brosens and Jessica Hope Woodworth have woven magic like none other in their most…

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Bride Flight: A Psychological Joyride »

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By Amy R Handler. Bride Flight (2008) is a haunting masterpiece that combines the strength of Dr. Zhivago with the ambiguity of…

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The Ides of March (2011) »

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By Bryan Nixon. The Ides of March functions as a raging soap opera that concerns itself with affairs within the campaign trail…

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One Trick Pony: The Spurlock Brand »

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By Daniel Lindvall. The only truthful ads are those that tell you they’re lying, claims Ralph Nader in Morgan Spurlock’s documentary, The…

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On the Endless Road to Nowhere »

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By Amy R Handler. It’s difficult to know where reality ends and fiction begins in Monte Hellman’s most recent movie, Road to…

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Features

Drive, or the Hero in Eclipse »

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By Christopher Sharrett. It seems to me that Danish director Nicholas Winding Refn’s Drive (2011) is an important film (it is too…

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Handsworth Songs Revisited »

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By Celluloid Liberation Front. “If the young are not initiated into the village, they will burn it down just to feel its…

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The New Flesh: A Critical Analysis of 1980s Metamorphosis Cinema »

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By Alexander Kirschenbaum. ‘Am I different somehow? Is it live or is it Memorex?’ (Seth Brundle [Jeff Goldblum] in David Cronenberg’s The…

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Film as politics »

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By Joacim Blomqvist. The Swedish general elections of September 2010, confirmed that Sweden is becoming a less tolerant society in many ways.…

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The director who must (not?) be forgotten: Elio Petri and the legacy of Italian political cinema, Part 2 »

Investigation of a Citizen Above Suspicion

By Larry Portis. This article was originally published in Film International 46, vol. 8, no. 4, 2010. We republish it here in…

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The director who must (not?) be forgotten: Elio Petri and the legacy of Italian political cinema, Part 1 »

The Tenth Victim

By Larry Portis. This article was originally published in Film International 44, vol. 8, no. 2, 2010. We republish it here in…

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Contemporary Cinematic Documentary and The Rebirth of Content »

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By Jez Owen. Abstract Documentary suggests ‘fullness and completion, knowledge and fact’ (Nichols, 1994:1). A documentary text can provide a representation of…

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Pier Paolo Pasolini Museum, Casarsa della Delizia, Italy »

Pier Paolo Pasolini with his mother Susanna (Colussi) Pasolini.

By Moira Sullivan. In northeastern Italy lies the autonomous region of Friuli-Venezia-Giulia.  “Friulan”, a romance dialect, is spoken in Friuli. Casarsa della…

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Films and Cities: The World (China, 2005) »

Zhao Tao as Tao (left) and friends at World Park in THE WORLD. Courtesy of Zeitgeist Films

By Hector Arkomanis. This column is the first in a series that discusses films in the context of specific cities, times and…

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Revisiting Tea and Sympathy: Sexual Paranoia in Fifties America »

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By Christopher Sharrett. Vincente Minnelli’s melodrama Tea and Sympathy, finally released on DVDby Warner Archive, deserves revaluation, given its neglect during its long…

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Bloodied Light: The cinema of Martin McDonagh »

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By Marshall Botvinick. ‘I’m sorry,’ says a somber doctor just as the opening credits for Six Shooter(2005), Martin McDonagh’s first film, dissolve.…

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Revisiting Citizen Ruth »

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By Lesley Brill. Alexander Payne’s 1996 feature film debut, Citizen Ruth, is generally remembered as an incongruously comic look at the struggle…

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The White Ribbon »

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By Kierran Horner. The White Ribbon (2009) is about guilt. It is another film by Michael Haneke about guilt. But it would…

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Colourful Claims: towards a theory of animated documentary »

Waltz with Bashir

By Jonathan Rozenkrantz. Every film is a documentary. (Bill Nichols 2001) There is no such thing as documentary [...]. (Trinh T. Minh-ha…

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Andrei Tarkovsky’s Mirror viewed through Gilles Deleuze’s ‘time-image’ »

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By Kierran Horner. Tarkovsky saw himself as a creator of temporal filmic images. In his published ruminations on film, Sculpting in Time;…

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The Visual Politics of Class: Silent Film and the Public Sphere »

Ross-Little Church Around the Corner

By Steven J. Ross. Why should anyone seriously interested in class care about movies? To answer this, I ask readers to participate…

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Genre Films and Cultural Myth »

Blue Steel

By Barry Keith Grant. In 1957 Francois Truffaut rallied the writers of the French film journal Cahiers du cinéma around the radical…

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The First Latina to Conquer Hollywood »

By Martin Mulcahey. Hollywood has not always been accepting of Latinas. Current stars Salma Hayek, Eva Mendes, and Penélope Cruz follow in the footsteps of trailblazing Dolores Del Rio. Celebrated…

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The Problem with Dinosaurs »

By Carmel Doohan. “Social realism, what the fuck is social realism?” Paddy Considine, Director of Tyrannosaur (Little White Lies- Oct 2011) The ‘social’ came from ‘socialist’. When the soon to…

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Paradise Now

Arab Cinema Now and Tomorrow »

  By Omar Robert Hamilton. No form of art is as tied to reality as cinema. Though Hollywood would have us think differently, the fundamental element to making a film…

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Savage Messiah

A Desecrating Mirth: Ken Russell (1927-2011) »

By Celluloid Liberation Front. ‘We don’t want to disrupt taxpayers from the benefit of cultural democracy, do we?’ (Museum Guard in Savage Messiah) British cinema lost with Ken Russell a…

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Le Pont des Arts

Eugène Green »

By Ken Chen. Susan Sontag once called transparency – the luminousness of the thing in itself – the highest value in contemporary film. By this, she meant the way Renoir…

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Bonnie and Clyde

Warren Beatty: A Hollywood Career »

By Gary Bettinson. In 1967, movie actor Warren Beatty assumed the mantle of producer with Bonnie and Clyde. His decision to harness greater production responsibility not only coincided with a…

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