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First Annual VIDI SPACE Film Festival (February 22, 2020, Reston, Virginia)

VIDI SPACE’s First Annual Film Festival is being held Saturday, February 22nd, 2020 at the Bow Tie Cinema in the Reston Town Center, Reston, Virginia. Headed by Co-founder/CEO Elizabeth Saint, the festival features work of VIDI SPACE’s streaming platform, launched in 2018 to feature genre works but now spanning shorts and features in various styles. For […]

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In Remembrance: Marj Dusay (1936-2020)

Actor Marj Dusay has died. Marj is one of the lead actors in my second feature film, A Chronicle of Corpses. Marj and I met by chance at the New York-Avignon Film Festival in 1998 where the first feature film I directed, Magdalen, was screening. I knew who she was immediately as I was/am a […]

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The Best Iranian Films of the Year: A Personal Selection

By Ali Moosavi. Among the many Iranian films that I have watched this year, six have stood out for me. If we don’t consider the purely commercial and state-funded films which dominate the screens in Iran, the Achilles heel of most independent Iranian films is their screenplay. If there is one common factor in my selection, […]

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Into the…Shed

By Ali Moosavi. The box office success of films such as Halloween, Friday the 13th, Nightmare on Elm Street, Saw, etc. and their endless sequels has popularized that dreaded word “franchise” in Hollywood. These films have also defined the slasher movie genre. A common denominator in all these films is the ever-increasing number of victims and […]

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Rise of the Tactless Manipulator: Where’s My Roy Cohn?

By Elias Savada. I wonder if lawyer jokes were invented for Roy M. Cohn, the notorious attorney at the center of this perfectly timed documentary about the man who spent decades causing mayhem in the legal profession and creating turmoil for many who crossed his path during the last half of the 20th century. I also […]

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Announcing the Anthem Series on Exploitation and Industry in World Cinema

    Series Editors David A. Cook – UNC Greensboro, USA Will Dodson – UNC Greensboro, USA The Anthem Series on Exploitation and Industry in World Cinema incorporates a broad range of scholarship on filmmakers, genres, cycles and national cinemas, focusing on ways in which exploitation filmmaking and distribution subsidize riskier commercial or “art cinema” work. Titles […]

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Film Scratches: Re-Drawing the Table – La Mesa (2018)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. La Mesa, a ten minute experimental animation by Adrian Garcia Gomez, is a haunting cinematic poem, a beautifully constructed black and white revery. Gomez derives the […]

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Daredevils of the Red Circle and Other Cliffhangers: Hollywood (1939-1942) and Spy Smasher

“Daredevils of the Red Circle and Other Cliffhangers” is a blog on serials by Geoffrey Mayer, the author of Encyclopedia of American Film Serials (McFarland, 2017). The Hollywood studios, except one, studiously ignored Hitler and the fascists throughout the 1930s. The exception was Warner Brothers who, under the leadership of Harry Warner, tirelessly fought anti-Semitism and fascism at a […]

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Deadites vs. Adaptation: Media and The Evil Dead

By Valerie Guyant. The following is an excerpt from The Many Lives of The Evil Dead: Essays on the Cult Film Franchise, © 2019, Edited by Ron Riekki and Jeffrey A. Sartain by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. www.mcfarlandbooks.com. Evil Dead has been adapted for different media, including video games, comic books, […]

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Film Scratches: Multiple Remembrances of Things Past – Luz en la Copa (2017)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. In Luz en la Copa (Light in the Cup), a complex and brilliant experimental feature by Bolivian filmmaker Alejandro Pereyra Doria Medina, almost every image is […]

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