Home » March 31st, 2011 Entries posted on “March, 2011”

Permanent State of War: A Short History of North Korean Cinema

By Johannes Schönherr. Like the leading article in the Party paper, the cinema should have mass appeal and should keep ahead of new developments, thus playing a mobilizing role in each stage of the revolutionary struggle. – Kim Il Sung I. 7th Pyongyang Film Festival of Non-Aligned and Other Developing Countries, September 2000. The female […]

Posted in Features | Read More »

The Way of a Gaucho: The Career of Hugo Fregonese

By Santiago & Andrés Rubín de Celis. Very little has been written by critics and film reviewers in the English language about the films of the Argentinean director Hugo Fregonese. His Hollywood years, from 1950 to 1956, including a whole of eleven films, were only a short period within his uneven and rather erratic career, […]

Posted in Features | Read More »

Hollywood and the Nordic Cinemas: upcoming issue

With our first issue of the year on its way from the printers, here’s a few words of what you can expect in no. 2. It’s a special issue on the relationship between Hollywod and the Nordic cinemas. This is how the guest editors themselves, Pietari Kääpä and Tommy Gustafsson, present their issue: Hollywood and […]

Posted in Ay Caramba! | Read More »

Visual Representations of Disconnection in Ichikawa Kon’s An Actor’s Revenge

By Daniel Gronsky. An Actor’s Revenge(Yukinojo Henge, 1963) is one of director Ichikawa Kon’s more infrequently remarked upon films. Despite the exceptional quality of the film, An Actor’s Revenge is often passed over in favor of examining Ichikawa’s earlier, more popular works, such as Conflagration (Enjo, 1958), Fires on the Plain (Nobi, 1959), or Harp […]

Posted in Features | Read More »

‘Ladies and gentlemen, I am an oilman’: There Will Be Blood

By Bryan Nixon. I cling to films that strive to reach the cinematic outer limits, such as 2001: A Space Odyssey, Apocalypse Now, and 8 1/2; I dare say that There Will Be Blood is one of those films. It is a film defining corruption and greed that tears apart the American dream, paranoid, with […]

Posted in Review | Read More »

Bumbling Towards Ecstacy: Man on Wire

By Deirdre Devers. Truth really is stranger than fiction. Our 21st century mediascape is saturated with personal and very public spectacles that are so commonplace as to become low wattage visual fodder. There’s the live coverage of David Blaine’s test of endurance whilst frozen in a block of ice in Times Square. Or the everyman […]

Posted in Review | Read More »

Real Queer Arabs

By Omar Hassan. In the post-Brokeback Mountain era of film-making, cinematic representations of homosexuality no longer conjure up lengthy debate or public controversy. Producers have developed the assumption that the LGBT community (who are generally believed to possess a higher disposable income) are hungry for media to consume. As such, niche film-makers and distributors have […]

Posted in Features | Read More »

Tribute to Arthouse Actress Maria Schneider

By Moira Sullivan. Maria Schneider plays Jeanne in Last Tango in Paris, a young woman who confronts her sadistic attacker Paul, played by a much older Marlon Brando, and shoots him. Schneider sums it up: “I must say that the murder in the end of the film did me much good.” Ironically, Bernardo Bertolucci wrote […]

Posted in Features | Read More »

Interview with Maria Schneider

By Moira Sullivan. This interview with Maria Schneider was made in March 2001, when she was the guest of honor at the Créteil Films de Femmes festival. This year’s festival, the 33rd, held between 25 March – April 3 2011, is dedicated to Maria Schneider. Maria Schneider was the Guest of Honor at the Créteil […]

Posted in Interview | Read More »

A Bodyguard Turns 50: Yojimbo (Japan, 1961)

By Bryan Nixon. A while back, the Criterion Collection revamped and re-released Akira Kurosawa’s samurai classic Yojimbo. One of the most influential films of all time, Yojimbo, which translates as ‘the bodyguard’, features a protagonist who stands firmly as the blueprint for the quintessential cinematic badass. Played brilliantly by Toshiro Mifune, the samurai Sanjuro, who […]

Posted in Review | Read More »