Home » June 23rd, 2017 Entries posted on “June, 2017”

Cinematic Archeology and the Portrayal of a “Wonder Woman”: Letters from Baghdad

By Martin Kudláč. In the 1996 film The English Patient directed by Anthony Minghella is a scene with British soldiers examining a map. “But can we get through those mountains?” to which another replies “The Bell maps show a way” followed by “Let´s hope he was right.” This reference has been the cinematic testament to […]

Posted in Review | Read More »

The 2017 AFI DOCS Short Films

By Gary M. Kramer. The short documentary films at this year’s AFI DOCS ranged from the political to the personal. The political shorts were part of the festival’s “World Views” program. One of the best shorts in this program was Election Night, which chronicled the reactions of a group of mostly young people in the […]

Posted in Festival Reports | Read More »

An Appreciation of Call Me By Your Name

By Zhuo-Ning Su.  Films are lives imagined, projected, simulated. When the play-pretend is effective and the make-believe works, we can hope to lose ourselves in a staged reality that convincingly reflects our own. Every once in a long while, however, a movie would come along that, for reasons often too mysterious to articulate, goes beyond […]

Posted in Review | Read More »

Film Scratches: New York Subways as Therapy – Participate in My Relaxed State (2016)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Halley (Megan Clement) is a young woman in search of healing from an unstated ailment. Participate in My Relaxed State, a 20 minute short by filmmaker […]

Posted in Blogs,Film Scratches | Read More »

Documenting Post-Millennial Teens: All This Panic

By Kate Hearst. With an artful lens, All This Panic captures the awkward and fleeting stage of teenagers on the cusp of young adulthood. Over the course of three years, Brooklyn-based wife and husband art photographers, Jenny Gage and Tom Betterton, follow seven high school girls who attend the La Guardia High School for the […]

Posted in Review | Read More »

You Can’t Keep Quiet Anymore: Atomic Homefront

By Elias Savada. If you’re not screaming mad by the end of Atomic Homefront, you obviously believe the system works. As a study in government failure and corporate greed, this HBO-supported documentary from director Rebecca Cammisa shows that your trust is grievously and tragically misplaced if you expect the Environmental Protection Agency to serve a desperate […]

Posted in Review | Read More »

No Future: Ghost World (Criterion Collection)

By Christopher Sharrett. I should say at the outset that my thoughts about the social-political vision (or failure thereof) of Terry Zwigoff’s Ghost World are dependent on the fine work of Henry Giroux, whose remarks are available on the Internet (I’d recommend his “Neoliberalism and the Disappearance of the Social in Ghost World”).  Zwigoff’s film, […]

Posted in Review | Read More »

Auteur as Raconteur: Director’s Cut by Ted Kotcheff, with Josh Young

A Book Review by Irv Slifkin. Who would have figured the Canadian director of such diverse films as The Apprenticeship of Duddy Kravitz (1974), North Dallas Forty (1979), and First Blood (1982) would be such an engaging raconteur? But here he is, at age 86, recounting great stories about the making of his films, the people he’s met and the struggles […]

Posted in Review | Read More »

When Tay Garnett Met Frankie and Johnnie: Her Man (1930)

by John Andrew Gallagher. Tay Garnett and and writer Howard Higgin spent the months of February and March, 1930 on Catalina Island writing Her Man, sharing a house with Lewis Milestone, who was working on the script of All Quiet on the Western Front with George Cukor, George Abbott, Del Henderson, and Maxwell Anderson. The […]

Posted in Features | Read More »

Marlon Rides Again!: One Eyed Jacks from Criterion

By Tony Williams. In his 2015 detailed and definitive study The Authentic Death and Contentious Afterlife of Pat Garrett and Billy the Kid, Paul Seydor lamented the fact that then available copies of the only film Marlon Brando directed were from inferior sources and hoped to see “a proper, responsible restoration and release, preferably on […]

Posted in Review | Read More »