Andrei Tarkovsky’s Mirror viewed through Gilles Deleuze’s ‘time-image’

By Kierran Horner. Tarkovsky saw himself as a creator of temporal filmic images. In his published ruminations on film, Sculpting in Time; Reflections on the Cinema, he asserts the creation of a real cinematic picture as: ‘…faithfully recording on film the time which flows on beyond the edges of the frame, lives within time if … Continue reading Andrei Tarkovsky’s Mirror viewed through Gilles Deleuze’s ‘time-image’