Utopia Achieved: Call Me by Your Name

By Christopher Sharrett. I’ve kept in mind Luca Guadagnino since his 2009 film I Am Love, which made such good use of both Visconti and Renoir while creating a work wholly Guadagnino’s own. I was less impressed with A Bigger Splash (2015), which seemed to me a work poorly thought-through (Tilda Swinton as a stadium-style … Continue reading Utopia Achieved: Call Me by Your Name