Marcel Pagnol’s “Marseille Trilogy”: An Essential Reemerges on Criterion

By Christopher Weedman. Among the most impressive film restorations of 2017 was Marcel Pagnol’s Marseille Trilogy (1931-36), which I reviewed last March when Janus Films screened it theatrically in select US cities. Those not fortunate enough to live near such splendid art-house and independent film venues as the Film Forum in New York and the … Continue reading Marcel Pagnol’s “Marseille Trilogy”: An Essential Reemerges on Criterion