Unlovely Spectacle: D.A. Miller on Call Me By Your Name

By David Greven. An exchange I had with an older, straight, white academic in Film Studies serves as an instructive example of a particular phenomenon that I will call the Miller Effect. Hearing me express admiration for Ang Lee’s 2005 film Brokeback Mountain, which I consider a masterpiece, he stared at me incredulously before saying, … Continue reading Unlovely Spectacle: D.A. Miller on Call Me By Your Name