Arthouse Redux: Claire’s Camera

By¬†Elias Savada. I’m a latecomer to the work of South Korean filmmaker Hong Sangsoo, but I recently caught Night and Day (2004) and Right Now, Wrong Then (2015), which reveal this Seoul-born and Korean-then-American-trained filmmaker’s unconventional, character-driven films as interesting and sometimes forceful human studies (as well as being festival favorites). He’s also, apparently, a … Continue reading Arthouse Redux: Claire’s Camera