The Cinematic Poetry of Cielo

By John Duncan Talbird. Since 1982’s Koyaanisqatsi (dir. Godfrey Reggio), time-lapse photography has become a convention, sometimes to the point of cliché. Still, we’re stunned every now and then by its beautiful use as in the opening and closing of flowers to the tune of The Turtles’s “Happy Together” (1967) in Spike Jonze’s Adaptation (2002). It … Continue reading The Cinematic Poetry of Cielo