“Viewers Have Their Own Pace”: Christophe Charrier on Jonas

By Tom Ue. Much of contemporary crime fiction revolves around the search for resolution rather than solution. Some, such as Epix’s new television adaptation of Joël Dicker’s bestselling novel The Truth About the Harry Quebert Affair (2018), offers both. Christophe Charrier’s Jonas (also known as Boys) (2018) offers neither. The film interweaves two crucial periods … Continue reading “Viewers Have Their Own Pace”: Christophe Charrier on Jonas