Festival Reports

The Art House Convergence Regional Seminar 2014 »

Art 1

By Mark James.  It’s fitting that “Art House Convergence” spells it with two separate words. Without the specificity that the term “Arthouse” commands in the film world, “Art House” can enjoy a far…

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AFI Docs Film Festival 2014 »

Alfred & Jakobine

By Gary M. Kramer.  For the second year, AFI Docs showcased non-fiction shorts and features at the AFI Silver Theater in Silver Spring, MD, and at various Washington, D.C. venues. The festival was…

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Inside the Bled Film Festival »

28 (Iran)

Ever wonder how film festivals come together? Noah Charney, Selector of Feature Films for the first annual Bled Film Festival, provides an inside look. Six weeks, thirty-five films, eight slots to fill. I…

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The 14th Annual Transylvania International Film Festival »

Mood Indigo

By Sam Littman.  Festival Overview Cluj-Napoca, the second largest city in Romania with approximately 350,00 inhabitants and home of the Transylvania International Film Festival, aspires to become the Youth Capital of Europe by…

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The 57th San Francisco International Film Festival »

Eastern Boys

By Mark James. The San Francisco International Film Festival, which ran April 24 through May 8th of this year, is true to its name in that its greatest strength has always been its…

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The Corman Legacy Continues: An Interview with Evelyn Maude Purcell »

Heatstroke 03

By Anna Weinstein. Heatstroke, starring Stephen Dorff, Svetlana Metkina, and Maisie Williams (Game of Thrones), tells the story of…

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Gaming the Future: An Interview with Jeremy Snead on Video Games: The Movie »

Video Games 01

By Paul Risker. Every art form has a story, and recalling Mark Cousins’ description of film being a grass…

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Shoe-String Initiative: An Interview with Nikki Braendlin »

Braendlin 01

By Anna Weinstein. Nikki Braendlin’s film As High as the Sky tells the story of Margaret, a woman struggling…

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Escaping Type: An Interview with Aubrey Peeples »

Peeples 01

By Paul Risker. From B-picture phenomenon Sharknado (2013), an abducted daughter in the revenge thriller Rage (2014), a rendezvous…

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He Who Awakens Dreams: An Interview with Doug Jones »

Jones 01

By Matthew Sorrento. Of all the tales of cinematic greats meeting, it ranks as one of the best: in 1997,…

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An Ethical Turn in Speculative Fiction: An Interview with Hanna Maria Heidrich on the Series Killing All the Flies »

Killing 02

By Tom Ue. Award-winning filmmaker Hanna Maria Heidrich brings imaginative imagery to life with human impulses and tightly-structured narratives.…

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Coherence and Its Lack Thereof: A Conversation with James Ward Byrkit »

Coherence 01

By Tom Ue. On the night of an astronomical anomaly, eight friends at a dinner party experience what becomes…

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Beyond the “Open Sky Jail”: An Interview with Nabil Ayouch on Horses of God »

Horses 01

By Paul Risker. There are those films that offer a visceral experience – an explosion of sound, image and…

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  1. The Art House Convergence Regional Seminar 2014
  2. Picnic at Hanging Rock (1975)
  3. Hide Your Smiling Faces (2013)
  4. The Corman Legacy Continues: An Interview with Evelyn Maude Purcell
  5. Gaming the Future: An Interview with Jeremy Snead on Video Games: The Movie
  6. Forsaken Son: Richie Mehta’s Siddharth
  7. Borgman (2013)
  8. The Epic of Everest: Closing the Gap Between Man and the Impossibly Distant
  9. The Past As It Is: Agnieszka Holland’s Burning Bush
  10. John Sayles to Attend First Annual REEL EAST FILM FESTIVAL in New Jersey, August 22-23rd; Deadline for Short Film Series Announced
  11. The Cold Lands, Cold Indeed
  12. The Art of the Steal: Joyous, Clever, and Fun
  13. Cutting Room Cleanup: Junger’s Korengal
  14. Sorcerer (1977)
  15. Bring Me the Head of Alfredo Garcia: Peckinpah the Dramatist
  16. Finding Fault with The Fault In Our Stars
  17. Shoe-String Initiative: An Interview with Nikki Braendlin
  18. Life As He Saw It
  19. Seeing Your Doppelganger Can Only Spell Trouble: Enemy (2013)
  20. AFI Docs Film Festival 2014
  21. Escaping Type: An Interview with Aubrey Peeples
  22. The Good Neighbour (2013)
  23. He Who Awakens Dreams: An Interview with Doug Jones
  1. Gwendolyn Audrey Foster: In some cases, being more educational than cinematic seems to me to be perfectly acceptable....
  2. Gwendolyn Audrey Foster: Few bother to tackle the complex postcolonial ideologies underpinning LOTR much less the...
  3. Gwendolyn Audrey Foster: Lili Taylor? I’m in. Sounds like a good small work. One of those films that passes...
  4. Gwendolyn Audrey Foster: I second that emotion! What an awful film. A dangerous film. It is full of wrong-headed...
  5. Gwendolyn Audrey Foster: I am really curious about this film as some reviewers have evoked the name of Luis Buñuel in...


Picnic 1

Picnic at Hanging Rock (1975) »

By Jeremy Carr.  Even if we weren’t told at the start that Picnic at Hanging Rock was about a group of girls who disappeared Saturday, Feb. 14, 1900 and were…

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Faces 3

Hide Your Smiling Faces (2013) »

By Jude Warne. In his 1854 book Walden, Henry David Thoreau sets forth a crucial instruction: “Resign yourself to the influence of the earth.” This, perhaps, is the overarching message…

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Siddarth 01

Forsaken Son: Richie Mehta’s Siddharth »

By Paul Risker. If film is a visual medium, then Richie Mehta’s Siddharth (2013) places as much emphasis on what is seen as not seen. “Siddharth” is a quest; a…

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Borgman 1

Borgman (2013) »

By James Teitelbaum. The pivotal moment in Alex van Warmerdam’s Borgman comes at the end of the first act, when the titular Camiel Borgman (Jan Bijvoet) strides into a forest…

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Epic 1

The Epic of Everest: Closing the Gap Between Man and the Impossibly Distant »

By Axel Andersson.  An epic of Everest? The heroics of nature? John Noel’s remarkable 1924 documentary, expertly restored by the BFI with a new evocative score by Simon Fisher Turner,…

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Burning Bush 02

The Past As It Is: Agnieszka Holland’s Burning Bush »

By Paul Risker. Agnieszka Holland’s three part mini-series Burning Bush (2013) opens with a pictorial and musical energy that swings like a pendulum between freedom and oppression. Just as day…

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The_Cold_Lands 01

The Cold Lands, Cold Indeed »

By Robert Kenneth Dator. In The Cold Lands prepare for inspired photography by Wyatt Garfield within which images old-growth forests appear like cathedrals; fields of golden rod and sage seem…

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The Art of the Steal: Joyous, Clever, and Fun »

By Noah Charney. The first compliment I will pay to the new art heist movie, The Art of the Steal (2013), written and directed by Jonathan Sobol, is that it…

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Konengal 01

Cutting Room Cleanup: Junger’s Korengal »

By Paul Risker. The war on terror has received ample coverage on news and media outlets. But in an age when we are questioning or are being encouraged to question our…

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Sorcerer 1

Sorcerer (1977) »

By William Repass.  “You think they pay you to drive? They pay you to be terrified. That’s your division of labor.” -The Wages of Fear (1953) Let’s not overlook the attendant…

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Fault 1

Finding Fault with The Fault In Our Stars »

By Jacob Mertens. A month or so back, Slate posted an article in anticipation of Josh Boone’s film The Fault In Our Stars¹—based on John Green’s popular Young Adult book…

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Life 01

Life As He Saw It »

By Paul Risker. There is the frequently re-iterated question of what is the value of a life. The cinematic equivalent is the time given to telling a person’s life story. When…

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Enemy 4

Seeing Your Doppelganger Can Only Spell Trouble: Enemy (2013) »

By Janine Gericke. Denis Villeneuve’s Enemy opens with a quote from José Saramago’s novel The Double, which Enemy is loosely based on, “Chaos is order yet undeciphered.” Well, that peaked…

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Good 1

The Good Neighbour (2013) »

By Sam Littman. Not one element of Astrid Schau-Larsen’s documentary The Good Neighbour is superfluous. For this and many tangential reasons alone it is appreciable; the 58-minute investigative effort principally concerned with…

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Cinema that Goes to Eleven: Mike “McBeardo” McPadden’s Heavy Metal Movies (2014) »

Heavy Metal

A Book Review by Brandon Konecny. Let all metalheads throw up their devilhorns in celebration—Mike “McBeardo” McPadden’s blood-soaked, guitar-churning anthology Heavy Metal…

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Weekend: Goodbye to Language 2D »


By James Knight. Joint recipient of the Jury Prize at the 2014 Cannes Film Festival was Jean-Luc Godard’s Goodbye to Language 3D.…

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Uwantme2killhim? (2013) »


By Robert Kenneth Dator. The upshot of what some teens would call a relationship in a world of cyberslaves sees rachel_angel83 (Jaime…

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Birth of the Living Dead (2013) »

Birth 1

By Cleaver Patterson.  Film documentaries are the cinematic equivalent of a written biography. As a result, it follows that those which include…

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Living Stars (2014) »

Living Stars 1

By Gary M. Kramer. One of the highlights of Awesomefest’s summer line up is the free July 3 screening of the irresistible documentary,…

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Double Indemnity (1944) »

Double 1

By Jeremy Carr. This year marks the 70th anniversary of one of the greatest film noir ever made, perhaps the quintessential title…

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A Time to Love and a Time to Die (1958) »

Time to Love 4

By David Sterritt. Hans Detlef Sierck left Germany in 1937, arrived in the United States four years later, Americanized his name to…

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Throne of Blood: An Ethereal Play of Light and Shadow »

Throne 2

By William Repass.  Wind and mist over hills that turn out to be ruins. A funereal sutra chanted over the soundtrack. Beside a…

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Bottled Up: The Treacherous Terrain of Poverty, Family, and Love »

Bottled Up

By Gwendolyn Audrey Foster. Indie directors love to mix genres in order to introduce us to fairly realistic characters, unusual stories and…

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Double Eisenbergs Spell Trouble »

Double Subway

By Matthew Sorrento. Of all the entries in NPR’s 2013 series “Movies I’ve Seen a Million Times,” Jesse Eisenberg’s is the most…

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Bullet Ballet: An Existentialist Journey through Shibuya »

Bullet Ballet 1

By Giuseppe Sedia.  To certain a degree Bullet Ballet (1998) represents a dividing line in Shin’ya Tsukamoto’s cinematic career that shifted once…

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Child’s Pose: The Limits of the Awful Mother »

Child's Pose R

By Christopher Sharrett. Gwendolyn Audrey Foster offers on this site a larger account of Călin Peter Netzer’s Child’s Pose than what follows…

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First Fruits of Inspiration: The Films of Wheeler Winston Dixon »

Serial Metaphysics (1972, 15 min.)

By Matthew Sorrento. Here at Film International, we’re honored to have the hardest working man in film culture as a regular contributor.…

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Oskar Fischinger 1900-1967: Experiments in Cinematic Abstract (2013) »

Oskar Fischinger Cover

A Book Review by Brandon Konecny.  It’s a shame that Oskar Fischinger hasn’t found his way into more literature on avant-garde cinema.…

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Godzilla: Savior of Mankind »


By Wheeler Winston Dixon. Godzilla is a simple creature. A relic from the prehistoric era, brought to life by atomic testing, Godzilla…

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Criminally Boring: Wolf Creek 2 (2013) »

Wolf Creek 1

By Gary M. Kramer. It has been nearly a decade since Wolf Creek (2005) provided a cautionary tale about backpacking through the…

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Assault on Wall Street (2013) »

Assault 2

By Sebastian Clare. To cinephiles and avid video-gamers alike, the name ‘Uwe Boll’ is synonymous with the very worst of what today’s…

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Catching Fire: The Revolution Will Be Televised »

Catching Fire 1

By Jacob Mertens. Revolution used to be a tangible part of our history. Not just stories of Malcolm X riling up a…

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Wake in Fright (1971) »

Wake 1

By Robert Kenneth Dator. Great Australian films are not so hard to come by. Finding great Australian films that Australians think are…

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OffOn: An Explosion of the Senses »

OffOn 1

By Wheeler Winston Dixon. “The human eye, the human form, the human face: these are the three central images of this avant-garde…

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Thoughts on Two Recent Films: Dallas Buyers Club and Catching Fire »

Catching Fire

By Wheeler Winston Dixon. Matthew McConaughey is an excellent actor, and Lord knows he’s working enough these days, and he brings real…

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Wings (1927) »

Wings 1

By Jude Warne.  On May 16th 1929, in Hollywood’s Hotel Roosevelt, it was announced that William Wellman’s film Wings had won the…

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The Most Important Film Book of 2014: Film Manifestos and Global Cinema Cultures »

Film Manifestos Book Cover 2

A Book Review by Wheeler Winston Dixon. Literally hundreds of film books cross my desk every year; I review books on every…

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Riot in Cell Block 11: Less Than Convincing »


By Christopher Sharrett. Don Siegel has long been known as one of the “Hollywood professionals,” a group of second-string directors whose work…

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The Fictional Christopher Nolan (2013) »

Fictional Nolan 2

A Book Review by Brandon Konecny.  Todd McGowan may well be the finest film theorist currently working in the States. His work…

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“A Lioness on the Prowl”: Jonathan Glazer’s Under The Skin »


By Wheeler Winston Dixon. Under The Skin (2013) is being sold on the basis of a simple premise, which is true on…

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Rising On a Bad Wind: Hayao Miyazaki’s Sad Farewell »


By Daniel Lindvall.  The year is 1918 and we are somewhere on the Japanese countryside. Jiro is a young boy obsessed with…

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The Lying Camera of De Palma’s Snake Eyes »

Snake Eyes 1

By Jeremy Carr. As with much of his work, especially in the last 15 years or so, one’s response to Brian De…

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Oculus: Another Look In the Haunted Mirror »


By Wheeler Winston Dixon. Oculus is a rather pretentious title for a rather straightforward movie, but despite the assembly line nature of…

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The Raid 2 – A SXSW Review »

Raid 3

By Jacob Mertens. The Raid 2 opens with a wide shot of a man kneeling beside a freshly dug grave. Facing his…

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The Superficial Ugliness of The Great Beauty »


By Daniel Lindvall. “Do you know why I eat only roots? Because roots are important,” explains a 104-year-old nun to the greying…

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Captain America: The Winter Soldier, or, Nothing You Believe is True »


By Wheeler Winston Dixon. I’m teaching a class right now in comic book movies, partly to trace the history of the genre…

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Demise and Redemption: Throne of Blood and The Hidden Fortress on Criterion »


By Matthew Sorrento. To regard the “First Murder” of the Judeo-Christian tradition as a parable on fratricide is to miss the greater…

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Preliminary Notes on the Monochrome Universe »

Alice in Wonderland (1966)

By Wheeler Winston Dixon. Lately I’ve been thinking about black and white movies, and how they’ve almost completely disappeared from the current…

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“Illusion and Reality” Films: Genre and Apotheosis »

Lost Highway

By Brian Russell Graham. A great many of the most popular films of recent decades are characterized by a character’s struggle to…

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From Gangster to Master: the Forgotten Edward G. Robinson »

Teh Hatchet Man

By Matthew Sorrento. I. The Look Robinson’s legion of fans grew after the actor delivered an intense desperation as Rico Bandello in…

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Rocky Balboa and the Politics of Urban Renewal »


By Jon Kraszewski. Coming at the end of a film series that had degenerated into useless portraits of cartoonish characters and simplified…

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The Mother’s Role in Bergman’s Persona »


By Terence Diggory. CONTENTS The Critical Audience Dramatis Personae Child’s Play Alma Mater Sons and Lovers Fear of Lying Fear of Dying…

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True Love, Pride, and Passion: Re-viewing Stephen Frears’s Dangerous Liaisons (1988) »


By Lesley Brill. In Pierre Choderlos de Laclos’s Les Liaisons dangereuses (most of the plot of which Frears’s Dangerous Liaisons follows faithfully),…

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One-Location Films and How They Achieve Their Success »


By Victoria Tickle. One-location (or one-room) films are films that do exactly what they say on their metaphorical tins: their narratives take…

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Our Children, or the Importance of Medea »

Nos Enfants

By Christopher Sharrett. Joachim Lafosse’s Our Children (Á perdre la raison, a.k.a. Loving without Reason, a much more sensible title) put me…

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The Invisible Cinema of Marcel Hanoun »


By Wheeler Winston Dixon. “With poor and derisory resources, with the help and goodwill of those who have worked with me, I…

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The Noir Vision of Max Ophüls, Romantic Fatalist »


By Wheeler Winston Dixon. Max Ophüls, born Maximillian Oppenheimer on 6 May 1902, Saarbrücken, Germany, was a director known primarily for his…

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1970s Rape-Revenge Films and their Remakes: Changing Representations »

I Spit on Your Grave (1978)

By Victoria Tickle. Rape-revenge films are a controversial sub-genre of films that have been the subject of many critical debates surrounding feminism,…

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The Archaeology of Abjection in The Exorcist »


By Will Dodson. Warner Home Video released a new Blu-ray set of William Friedkin’s The Exorcist on October 8, coinciding with the…

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Light From the Screen: Cinema, Painting and Spectatorship »

The Strange Case of Angelica

By Wheeler Winston Dixon. Noël Coward once observed that “television is for appearing on – not for looking at,” but as the…

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Yayoi Kusama: The Orgy of Self Obliteration »

Yayoi Kusama

By Gwendolyn Audrey Foster. As an internationally acclaimed Japanese/American artist, Yayoi Kusama rejects any Orientalist assumptions about her work or her self.…

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Charles Burnett’s Inner City Portrait: Revisiting Killer of Sheep and the post-Watts crisis on film »


By Jamie Isbell. Charles Burnett’s UCLA thesis feature Killer of Sheep (1977) has become something of a retrospective masterpiece. A cult artifact…

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Elvira Notari: A Woman in Search of Desire »

È piccerella

  By Rossella Scalia. My first encounter with the director Elvira Notari occurred randomly, as almost always happens with important meetings. I…

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Reconsidering The Landscape of the Homoerotic Body in Claire Denis’s Beau Travail »


By Gwendolyn Audrey Foster. I begin, as my title suggests, with a quote from Agnès Godard, the cinematographer of Beau Travail (1999):…

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“Rip It Up and Start Again:” Scream 4 and Post-? »


By Will Dodson. Wes Craven’s Scream 4 is in many ways a fitting capstone to the 9/11 decade, thus the title of…

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Looking with Julia’s Eyes: Gender, Spectatorship, and Contemporary Spanish Horror Cinema »


By Ian Olney. Over the past decade or so, the Spanish horror film has undergone a striking renaissance. During the final years…

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Alice Guy’s La Vie du Christ: A Feminist Vision of the Christ Tale »


By Gwendolyn Audrey Foster. Alice Guy is a filmmaker whose body of work is still a site of contestation for modern critics;…

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Wong Kar-wai: a Cantonese Auteur »


By Shashank Saurav. “Sometimes they think the way we work is very stylish and romantic, but actually it’s the way we can…

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Andy’s Gang, or Saturday Morning of the Living Dead »

Froggy Doll

By Wheeler Winston Dixon. “There was a character that hung out in a clock called Froggy, the Magic Gremlin, and they used…

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Beyond the Hills, or The Woman’s Prison »


By Christopher Sharrett. It amazes me that so few reviewers noted emphatically that Cristian Mungiu’s Beyond the Hills (2012), like his earlier…

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Touching the Wild Things: Haptic visuality in Where the Wild Things Are »


By Kelly Burt. The film Where the Wild Things Are (2009), based on the 1963 children’s book of the same name by…

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Looking at the Landscape of Childhood in Ivan’s Childhood and Germany Year Zero »


By Devapriya Sanyal. The two great wars of the twentieth century would change everything for humankind once and for all; both materially…

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Life with Betty White: Performing the Authentic Proto-Feminist in Pioneering Early Television »


By Gwendolyn Audrey Foster. Betty White has always been ahead of her time. This has been both a blessing and a curse.…

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Inside The Asylum: The Outlaw Studio That Changed Hollywood »


By Wheeler Winston Dixon. “Anyone can make a $100 million dollar movie, but to shoot a feature film in 12-14 days, with…

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The Politics of Critical Reception and the Marxist Feminist Sublime in Carlos Reygadas’ Post Tenebras Lux »

The Demon

By Gwendolyn Audrey Foster. “Fortunately, somewhere between chance and mystery lies imagination, the only thing that protects our freedom, despite the fact…

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The Eternal Father: Two Films by Derek Cianfrance »


By Christopher Sharrett. I hesitated as I began this essay, chiefly because I came across some interviews with Derek Cianfrance, whose work…

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Spaces of Resistance: Film Festivals and Anti-Capitalism »

Promotional night for the BRFF at The Cube, Bristol.

By Anthony Killick. Film festivals have always operated as nodes in a network of global power relations. Set within this field of…

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The Best Years of Our Lives: a Revaluation »


By Christopher Sharrett. While writing an essay on the post-Vietnam film Rolling Thunder, I thought of William Wyler’s much-applauded 1946 film The…

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The Disquieting Aura of Fabián Bielinsky »

Best - Ricardo Darin the Forest in The Aura

By Wheeler Winston Dixon.            “I said no to Hollywood. There you have no freedom to create.” (Bielinsky to Federico Fahsbender)…

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Family Friendly Torture Porn »


By Gwendolyn Audrey Foster. “Watch new blood on the eighteen inch screen The corpse is a new personality Watch new blood on…

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Re-Birth of a Nation or Why Django Has More to Say about Contemporary America than the Other “Historically Accurate” Films »


By Celluloid Liberation Front  “The former enemies of North and South are united again in common defence of their Aryan birthright.” (D.W.…

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Bring Me the Head of Alfredo Garcia: Peckinpah the Dramatist »

By Christopher Sharrett. The label “master of violence” was long ago affixed to director Sam Peckinpah. Books on Peckinpah with titles like “Bloody Sam,” and studies comparing the director’s films…

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Multicultural Middle-earth: Constructing “Home” and the Post-colonial Imaginary in Peter Jackson’s The Lord of the Rings »

By Laura Crossley. “The nation of course is not a desiring person but a fictive unity imposed on an aggregate of individuals, yet national histories are presented as if they…

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Juan Orol as Johnny Carmenta.

Juan Orol, Phantom of the Mexican Cinema »

By Wheeler Winston Dixon. It’s a commonplace thing to discuss the individual vision of filmmakers, on both a national and international level, and the names of Howard Hawks, John Ford,…

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The Trouble With Hitchcock »

By Wheeler Winston Dixon. Mark Rutland: “What do you believe in?” Marnie Edgar: “Nothing.” (From Alfred Hitchcock’s Marnie) Alfred Hitchcock is routinely regarded as one of the most profound and…

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Female Sexual Pleasure Unpunished in Bright Days Ahead »

By Gwendolyn Audrey Foster. Finally, a film about an older woman who has an affair, and doesn’t get punished by the narrative. How delightful! How unusual! It isn’t as if…

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Out of the Furnace: The Question of Adversarial Cinema »

By Christopher Sharrett. I did not see Scott Cooper’s Out of the Furnace during its initial run some months ago, in part because I thought little of Cooper’s Crazy Heart…

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Camille Claudel 1915

Bruno Dumont and the Revival of the Human, Part 3 »

By Christopher Sharrett. To Part 2. Hadewijch Hadewijch is the first of two films (the second is Hors Satan) directly focused on the pursuit of the spiritual. I should say…

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Bruno Dumont and the Revival of the Human, Part 2 »

By Christopher Sharrett. To Part 1. L’Humanité Bruno Dumont’s second film has been termed by certain commentators a “remake” of La Vie de Jésus. The notion is bewildering. Yes, both…

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La Vie de Jésus

Bruno Dumont and the Revival of the Human, Part 1 »

By Christopher Sharrett. Bruno Dumont is among our most important filmmakers, a fact that has gone mostly unnoticed outside Europe. His particular significance seems unrecognized in the US. There are…

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Surviving the Monster Mom: Child’s Pose »

By Gwendolyn Audrey Foster. “I hope it’s like a mirror.” (Călin Peter Netzer on Child’s Pose) “They fuck you up, your mum and dad / They may not mean to,…

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The Hitch-Hiker (19

The Narcissistic Sociopathology of Gender: Craig’s Wife and The Hitch-Hiker, Part 2 »

By Gwendolyn Audrey Foster. To Part 1. While Dorothy Arzner’s Craig’s Wife (1936) revolves around a pathological female who is undone by her desperate attempts to conform to the norms…

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Killing Them Softly

Hollywood Nomad: Andrew Dominik’s Aussiewood »

By Stephen Gaunson. “I live here now and I don’t like going home.” (Andrew Dominik qtd. in Sperling 2012) “I wouldn’t mind shooting again in Australia but I have no…

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Missing in Action: The Lost Version of Vanishing Point »

By Wheeler Winston Dixon. Much has been deservedly written on Richard C. Sarafian’s existential road movie Vanishing Point (1971), a shambling, glorious wreck of a film that nevertheless manages to…

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The Narcissistic Sociopathology of Gender: Craig’s Wife and The Hitch-Hiker, Part 1 »

By Gwendolyn Audrey Foster. It’s instructive to study the work of Dorothy Arzner and Ida Lupino in context with one another. Though at first glance, one might easily conclude that…

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