By Jonathan Monovich. An example as to why silent comedy is timeless despite the disbelief of many.” Whereas Lake Michigan Monster (2018) was a whacky take on films like Roger

By Elias Savada. Dystopia never looked so depressing." It’s not a far cry — from today’s escalating political dissention that is breaking apart friends and family — to the near-future

By James Slaymaker. Demonstrating an astonishing level of artistic maturity, sensitivity, and command of cinematic form." In her feature debut, the entertaining-yet-slight road movie Take Me Somewhere Nice (2019), director

By Elias Savada. An intense tour-de-force statement from the star turned actor-producer-writer-director...." Following in the oversized footsteps of King Kong, who last week was seen tag teaming with Godzilla in

By Thomas M. Puhr. Proof positive that a musical can simultaneously educate and entertain, excite and incite." France’s imperial history is portrayed through experimental musical theater in Med Hondo’s West

A Book Review by Thomas M. Puhr. A quick and engaging study addressing a scholarly blind spot." Amid escalating tensions between the U.S. and Soviet Union, the 1980s were something

By Brad Windhauser. Kore-eda’s Monster portrays Japanese queer youth forced to carve out a safe space away from their society just to experience moments of joy." Kore-eda’s film Monster (Kore-eda,

By Thomas M. Puhr. Violent, sensual, and at times poetic...." Kani Releasing continues to expose Western audiences to unsung masterpieces of Asian cinema, and their latest – a restoration of