Festival Reports

Art Film Fest 2016: Footprints of Lynch »

Endorphine

By Robert Buckeye. Film festivals not only screen films we should see but also give us a reading of the field. At Art Film Fest this year, its first in Kosice after 23…

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Recap of the 21st Annual San Francisco Silent Film Festival »

Two Timid Souls

By Michael T. O’Toole. For those who enjoy a good silent film, you’ll seldom find a more a captivating outlet than the stylish San Francisco Silent Film Festival (held this year between June…

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The 2016 Tribeca Film Festival »

Maurizio Cattelan – Be Right Back

By Michael Miller. The 15th Tribeca Film Festival unspooled April 13 – 24, 2016 in New York presenting nearly 200 features and shorts from around the globe.  Here are six noteworthy titles that…

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The 2016 AFI Docs Festival »

Chicken People

By Gary M. Kramer.  This year at the AFI Docs festival, June 22-26, there are several features and shorts depicting unique individuals working in odd jobs and hobbies. From sewage diving to train…

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The 35th Istanbul Film Festival »

A Monster with a Thousand Faces

By Rob Lewis.  Tickets? Check. Popcorn? Check. Bottle of water? Check. Notebook? Check. Festival Guide? Check. It’s 107 minutes long. That means if I leave before the credits and take a taxi, I can…

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The 2016 Tribeca Festival Report »

Mother

By Gary M. Kramer. The 2016 Tribeca Film Festival, April 13-24, showcased more than 100 features and nearly 75 shorts from 42 countries. The documentaries and foreign films were strongest. Here are reviews…

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The 2016 DC Independent Film Festival »

Internet Junkie

By Gary M. Kramer The DC Independent Film Festival, billed as “the oldest independent film festival in our nation’s capital,” started screening dozens of features, documentaries, shorts and animated films March 4-13. Here…

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Interview

Q-ing Up Some Comedy from India: Qaushiq Mukherjee and Naman Ramachandran on Brahman Naman »

Brahman-Naman

By Paul Risker. Indian musician, composer and producer A. R. Rahman has said: “Comedy is a universal language. I grew…

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Seeking the Cityscapes of Toronto: An Interview with Eric Henry »

Seek 01

By Tom Ue. Seek is the directorial debut of Eric Henry. The film, made and set in Toronto, follows the…

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Capturing the Ephemeral in Mañana a esta hora: An Interview with Lina Rodriguez »

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By Tom Ue. Lina Rodriguez is a Colombian/Canadian filmmaker. She has written, directed and produced several short films, which have…

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An Absent Father Watching: Daniel Burman on The Tenth Man »

THE_TENTH_MAN

By Gary M. Kramer. In The Tenth Man, Argentine filmmaker Daniel Burman returns to his favorite theme of absent…

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Looking Death in the Face: Iben Hjejle on Dicte – Crime Reporter »

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By Paul Risker. There is an ironic thread connecting the childhood of Danish actress Iben Hjejle to her adult…

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A Lover of Dreams, But Not Freud: Michel Gondry on Microbe & Gasoline »

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By Matthew Sorrento. Though obviously concerned with the dream life, Michel Gondry also focuses on the desires we have while awake.…

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Diva Directors Around the Globe: Susanna White on Our Kind of Traitor »

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By Anna Weinstein. British director Susanna White began her career in documentaries and in BBC television in the mid-1980s. She…

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Out of the (Garden) House: Rachel Tunnard on Adult Life Skills »

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By Paul Risker. Adult Life Skills (2016) is filmmaker Rachel Tunnard’s feature debut, a creative expansion of her earlier award…

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Tunisia at the Movies: An Interview with Programmer Dhia Eddine Felhi »

Tunisia

By Matthew Fullerton. Cinema has long been an integral part of the economy and culture of Tunisia: Major Hollywood blockbusters…

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A New Voice for Cinema: Chloé Leriche and Jacques Newashish on Before the Streets »

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By Paul Risker. Canadian filmmaker Chloé Leriche recently found herself involved in the Wapikoni mobile program, where she mentored documentary filmmaking made…

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MOST RECENT

  1. The Voice of a Frenetic, Heated Cinema – E̒ric Rohmer: A Biography by Antoine de Baecque and Noël Herpe
  2. The French Spirited Away to New York: Phantom Boy
  3. A Film of its Time: Spies, Fritz Lang’s Enduring Espionage Thriller
  4. Lo and Behold – Can You Hear Me Now?
  5. Time in “the Shack”: A Fuller Life
  6. La Chienne: Renoir Begins
  7. Under the Sun: Unmasking North Korean Propaganda
  8. Film Scratches: Patterns of Violence – Blind Spot (2014)
  9. Inspiring and Unsettling: Miss Sharon Jones!
  10. Q-ing Up Some Comedy from India: Qaushiq Mukherjee and Naman Ramachandran on Brahman Naman
  11. Seeking the Cityscapes of Toronto: An Interview with Eric Henry
  12. From Bankruptcy to 9/11: Downtown Film & TV Culture 1975-2001 by Joan Hawkins
  13. Mirroring a Genius – Norman Lear: Just Another Version of You
  14. From Film International to Film Restoration
  15. Capturing the Ephemeral in Mañana a esta hora: An Interview with Lina Rodriguez
  16. Unearthing That Cold Day in the Park
  17. Beyond the Dream Life: Fantastic Planet on Criterion
  18. An Absent Father Watching: Daniel Burman on The Tenth Man
  19. A Woody Allen Fluff: Café Society
  20. Art Film Fest 2016: Footprints of Lynch
  21. Film Scratches: Modernist Myths – Orphine (2014)
  22. Playing with Horror and Drama in Journey to the Shore
  23. Looking Death in the Face: Iben Hjejle on Dicte – Crime Reporter
  24. Irreverent, and Set in ’78: Carnage Park
  25. The Beautifully ‘Dressed’ Wicked Lady
  26. Mustang: Wars Against Women – Turkey
  27. The Grisly Bare Bones of Triple-9
  28. Film Scratches: Dancing with Trees – Lilong (2009)
  29. A Lover of Dreams, But Not Freud: Michel Gondry on Microbe & Gasoline
  30. Not As Pale As Expected: Paul Feig’s Ghostbusters
  1. Gabor Sebo: Dear Mr. Johannes Schönherr, I am Gabor Sebo from Hungary and making Ph.D. studies in South Korea about...
  2. Tony Williams: Chris, Maybe FI viewers will not be familiar with the plot. But a very brief description would suffice...
  3. Christopher Sharrett: Bravo Tony for noting Fuller, and for placing him in opposition to film studies and the current...
  4. Chris Neilan: Hi Tony, thanks for your remarks. I’ve been writing for Film International since 2009, and in...
  5. Charlie Manson: This show was a tremendous influence on my life.

Review

Rohmer

The Voice of a Frenetic, Heated Cinema – E̒ric Rohmer: A Biography by Antoine de Baecque and Noël Herpe »

A Book Review by James Knight. E̒ric Rohmer’s irrefutable place in the cathedral of film auteurs has been long since reserved. With films such as My Night with Maud in 1969,…

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Phantom 01

The French Spirited Away to New York: Phantom Boy »

By Jessica Baxter. Co-directors Jean-Loup Felicioli and Alain Gagnol follow up their Oscar nominated film, A Cat in Paris, with Phantom Boy, a film that is perplexingly set in New York…

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Spies 1

A Film of its Time: Spies, Fritz Lang’s Enduring Espionage Thriller »

By Jeremy Carr.  Fritz Lang’s Spies gets underway with a burst of kinetic energy, its first 15 minutes or so a case study in the advancement, endurance, and perhaps surprising…

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Lo 02

Lo and Behold – Can You Hear Me Now? »

By Elias Savada. Werner Herzog’s documentaries tend to explore interesting lands or unusual people: the Chauvet caves in France (2010’s Cave of Forgotten Dreams), the frozen beauty of Antarctica (2007’s Encounters at the…

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Fuller 01

Time in “the Shack”: A Fuller Life »

By Tony Williams. “The hatemongers and reactionaries are the most loathsome thorns in the eye of a great Democracy. Every generation has its own and they must be fought and…

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La Chienne: Renoir Begins »

By Christopher Sharrett. My title is a bit misleading, since Jean Renoir made a number of films in the silent era (none especially important to his reputation), and La Chienne…

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Under the Sun: Unmasking North Korean Propaganda »

By Johannes Schönherr. Under the Sun, a documentary by Soviet-born and -raised director Vitaly Mansky, starts off like an slice of life type of cinéma vérité, filmed in the winter…

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Sharon Jones and the Dap-Kings kick off their delayed 2014 tour at the Beacon Theater in New York

Inspiring and Unsettling: Miss Sharon Jones! »

By Jude Warne. Sharon Jones & the Dap-Kings are a seasoned, air-tight, top-notch funk-soul band. Via Jones’ musical talents and Bosco Man/Gabriel Roth’s analog recording and band leading genius, the group…

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Cast Iron TV

From Bankruptcy to 9/11: Downtown Film & TV Culture 1975-2001 by Joan Hawkins »

A Book Review by John Duncan Talbird. Joan Hawkins’ recent multi-authored book, Downtown Film & TV Culture 1975-2001 (Intellect), is a heteroglossic text bringing together multiple genres – historical documents, interviews,…

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Lear 01

Mirroring a Genius – Norman Lear: Just Another Version of You »

By Elias Savada. OK, kids, who among you doesn’t know who Norman Lear is? The few of you who raised your hands, shame on you. (I tested this question on…

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Unearthing That Cold Day in the Park »

By Chris Neilan.  Here’s something to brighten the day of any self-respecting cinephile: the unearthing of a forgotten film by a bona fide American master. And not just any master, but…

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Beyond the Dream Life: Fantastic Planet on Criterion »

By Jessica Baxter. I can’t remember exactly how old I was when I first stumbled upon René Laloux’s surreal animated French language sci-fi film, Fantastic Planet (1973). I assume I…

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Cafe 02

A Woody Allen Fluff: Café Society »

By Elias Savada. Problems are afoot in Woodyland. The jokes are there, albeit fleetingly and the best ones deal with gallows humor. The romantic comedy-drama script seems regurgitated from some…

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Playing with Horror and Drama in Journey to the Shore »

By Chris Neilan.  Directors who blend genre elements with an arthouse sensibility are rarely short of fans or plaudits. Take new darling of the American independent scene Jeremy Saulnier, whose…

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Irreverent, and Set in ’78: Carnage Park »

By Elias Savada. With big nods toward Quentin Tarantino (Reservoir Dogs), Wes Craven (The Hills Have Eyes), and Sam Peckinpah (The Wild Bunch, Bring Me the Head of Alfredo Garcia),…

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THE WICKED LADY, Faye Dunaway, 1983, ©MGM /

The Beautifully ‘Dressed’ Wicked Lady »

By Cleaver Patterson.  One has to question why some filmmakers see fit to remake films which were considered classics the first time round – is there so little original material…

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Mustang 03

Mustang: Wars Against Women – Turkey »

By Christopher Sharrett. It occurs to me that the best (the only?) films seriously challenging the current international War on Women come from Europe, Asia, the Middle East, often by…

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The Grisly Bare Bones of Triple-9 »

By Paul Risker. “Bare bones thrown to a hungry dog…do nothing to appease its hunger.” – Thich Nhat Hanh, Thundering Silence: Commentaries on the Sutra on Knowing the Better Way…

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Not As Pale As Expected: Paul Feig’s Ghostbusters »

By Elias Savada. Yes, there has been a lot of discussion – some quite vocal and inanely misogynistic – about the new Ghostbusters, an all-female cast reboot of the endearing 1984…

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Home Is Where the Heart Is: Michel Gondry’s Microbe & Gasoline »

By Elias Savada. Summer, 2014. Versailles. Boyhood. Road trip. That’s a possible tagline description of Microbe & Gasoline (Microbe et Gasoil), Michel Gondry’s low-key, coming-of-age ramble through the French countryside by…

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Big in Europe – Eat That Question: Frank Zappa in His Own Words »

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By John Duncan Talbird. Frank Zappa was a man of his time even while remaining an iconoclast and pushing back against whatever counted…

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A Swing and a Miss: The Phenom »

Phenom

By Elias Savada. Recruited out of high school, Hopper Gibson (Johnny Simmons) is professional baseball’s latest pitching sensation, but, like the cracked…

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In Need of Tech Support: Beta Test »

Beta Test

By Elias Savada. In an attempt to meld the pc gaming world with that of modest-budget movie-making, Beta Test doesn’t score many points.…

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Not My Kind of Film: Our Kind of Traitor »

Our

By Elias Savada. I wasn’t attracted to the ruffled, ordinary couple at the core of the latest big screen John le Carré adaptation,…

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A Question of the Medium: Scott of the Antarctic (1949) »

Scott Feat

By Paul Risker. Humanity shares a love-hate relationship with the planet. Our ongoing rape and exploitation of it has been reciprocated, in a…

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Not So Simple?: The Nasty Terrible T-Kid 170: Julius Cavero »

Nasty

By John Duncan Talbird. Julius Cavero is a Bronx, NY graffiti artist who has been making art – both illegal and legal –…

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Walt Disney Would Be Proud: The BFG Delivers »

BFG

By Elias Savada. Don’t be confused by the branding up front on this new live action/motion capture film from Steven Spielberg. “Disney’s…

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F.W. Murnau’s Faust: A Dazzling Achievement in German Silent Cinema »

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By Jeremy Carr. There is the sense while watching the 1926 silent German masterwork Faust that director F.W. Murnau and company are…

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True Accounts of a Classic: Behind the Scenes of Sergio Leone’s The Good, The Bad, and the Ugly by Peter J. Hanley »

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A Book Review by Tony Williams. This handsome, beautifully illustrated, well-researched book of over 400 pages (from Il Buono Publishing) is another example of…

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Free State of Jones: Fumigating the Magnolia »

Free 01

By Christopher Sharrett. I often show students the opening credits and establishing sequence to David O. Selznick’s garish, appalling 1939 film about…

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English Gothic: Classic Horror Cinema 1897-2015 by Jonathan Rigby »

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A Book Review by Cleaver Patterson. In the Author’s Note introducing English Gothic – Classic Horror Cinema 1897-2015 – the newly updated…

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Curing the Soul of a Troubled World – The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble »

Yo-Yo Ma

By Elias Savada. Music and cinema are both universal languages. I can’t think of another film that blends the best of these…

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Close Encounters of the Angelic Kind: Here Comes Mr. Jordan on Criterion »

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By Tony Williams. Unlike previous DVDs I’ve reviewed, Here Comes Mr. Jordan is my first and highly pleasurable viewing of a film I’d…

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A World “Whit” Large: Barcelona on Criterion »

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By Elias Savada. During his initial foray into filmmaking back in the 1990s, Whit Stillman was being hailed as a conquering hero…

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The Real Underground: Jack Sargeant’s Flesh and Excess: On Underground Film »

Sargeant 01

A Book Review by John Duncan Talbird. Jack Sargeant’s new book, Flesh and Excess: On Underground Film, is an exploration of a…

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“Hello Darkness, My Old Friend”: Criterion’s Only Angels Have Wings »

Only Angels 01

By Tony Williams. If Robin Wood once said on a DVD feature, “If you don’t like Marnie, then you don’t like Cinema”,…

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Skewer You!: The Life of Art Bastard Robert Cenedella »

Art Bastard 01

By Elias Savada. Unless you’re orbiting the art universe, particularly in the vicinity of its comically subversive galaxy, you’ve probably never heard of…

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Robert Lang’s New Tunisian Cinema: Allegories of Resistance »

Tunisian

A Book Review by Matthew Fullerton. New Tunisian Cinema is a timely book, released three years after the revolution that toppled Ben Ali,…

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The Serious Humor and Beautiful Ugliness of The Lobster »

Lobster 01

By John Duncan Talbird. A few years ago, I was with my wife in some Brooklyn hamburger joint waiting for our food.…

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A Journey of Lost Souls: Dheepan »

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By Elias Savada. French director-writer Jacques Audiard, a multiple Cannes Film Festival prize nominee and winner, and constant trophy collector at the César…

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The Paranoid Political Thriller Three Days of the Condor »

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By Chris Neilan.  They may never have matched the creative successes of Scorsese & De Niro, the genre-defining feats of John Wayne…

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An Under-Nourishing Meal: Sunset Song »

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By Elias Savada. Terence Davies does love his literary adaptations. His 2011 romantic drama The Deep Blue Sea was based on Terence Rattigan’s…

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The Mind as Camera: Of Walking in Ice by Werner Herzog »

Herzog Featured

A Book Review by John Duncan Talbird. In November 1974, when Werner Herzog was thirty-two, he walked from Munich to Paris, over five…

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Too Short on Criticism? »

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By Paul Risker. “The point is ladies and gentlemen that greed, for lack of a better word, is good.” – Gordon Gekko…

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Looking Back at The Graduate »

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By Jeremy Carr.  Ben Braddock, Dustin Hoffman’s titular character from Mike Nichols’ 1967 film, The Graduate, is first seen staring straight ahead…

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The Heart of the Melodrama: Brief Encounter on Criterion »

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By Christopher Sharrett. When I think about the melodrama I tend to focus on the masterpieces of Max Ophuls, Douglas Sirk, Vincente…

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Forever Revisited: In a Lonely Place on Criterion »

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By Tony Williams. Whether available theatrically or 16mm, VHS, and previous DVD formats, Nicholas Ray’s In a Lonely Place (1950) has always…

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The Chaplin Machine: Slapstick, Fordism and the Avant-Garde by Owen Hatherley »

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A Book Review by Tony Williams. Today, it has become a tedious commonplace to listen to erroneous fallacies such as Fukayama’s “The…

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Never Mean: Patton Oswalt’s Film Memoir, Silver Screen Fiend »

Silver Screen Fiend

A Book Review by John Duncan Talbird. Many film lovers will enjoy Patton Oswalt’s new memoir, Silver Screen Fiend, mainly because he’s…

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The Visual Beauty of Marguerite »

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By Cleaver Patterson.  At one point, about half way into Marguerite (2015), the drama by French writer/director Xavier Giannoli, singing teacher Atos…

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Orlacs Hände: A Constant Dilemma »

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By Amy R. Handler. Reaching back to time’s beginnings, Orlacs Hände (1924) forever touched the future, but at what price? Robert Wiene’s…

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Saul Bass: Anatomy of Film Design by Jan-Christopher Horak »

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A Book Review by Tony Williams. The work of Saul Bass is familiar to those impressed by credit openings of The Man with…

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Crimson Glory: The Hidden Depths of Dario Argento’s Deep Red »

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By Cleaver Patterson. Anyone taking it upon themselves to comment on a film by the master of the giallo thriller Dario Argento…

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A Patriarch’s Infamy: The Clan »

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By Elias Savada. An ugly, dirty war begets the airing of some nasty laundry. That’s the simple historical concept – and quite an…

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Diverse Stories, Diverse Faces: Songs My Brothers Taught Me »

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By John Duncan Talbird. First-time feature writer-director Chloé Zhao’s Songs My Brothers Taught Me opens and closes with the narration of teenage Lakota…

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Zootopia: A Modern Interpretation of a Fairy Tale »

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By Cleaver Patterson. Judy Hopps (Ginnifer Goodwin) is a young bunny with big ideas. Living in the rural town of Bunnyburrow her…

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Fearless Realism: Krisha »

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By Elias Savada. Other than a kitchen catastrophe, there’s not a sloppy moment in Trey Edward Shults’ micro-budgeted, crowdsourced Krisha, an incredibly well-constructed…

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Old Men Rule in Remember »

Remember 01

By Elias Savada. The perception that people of significantly older age can’t control their destinies, particularly if dementia is knocking at their door,…

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A Cruel Destiny: Intruders »

Intruders 01

By Paul Risker. I still recall the scene in Bernardo Bertolucci’s The Dreamers (2003) when the father tells his offspring that they…

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Berlin Replayed: Cinema and Urban Nostalgia in the Postwall Era by Brigitta B. Wagner »

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A Book Review by Tony Williams. This book falls into the now familiar category of Cityscape Studies but focuses on representations of…

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Life Falls Apart: Sibylle »

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By Elias Savada. The ominous hum of unease that saturates Swiss-born director Michael Krummenacher’s effective yet derivative German thriller Sibylle – being sold…

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Breaking Waves with Neptune »

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By Elias Savada. Spiritual and haunting in its low decibel manner, the New England coming-of-age drama Neptune is an indie effort that follows…

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Fools Stalk at First Sight »

FOOLS

By Elias Savada. A semi-creepy opening sequence for director-writer Benjamin Meyer’s micro-budget feature directorial debut Fools had me wondering whether stalking can be…

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Secrets Haunt Our Past: The Automatic Hate »

Automatic Hate 01

By Elias Savada. Listen, I have three vices. Movies. Craft beer. And genealogy. Shortly after Justin Lerner’s second feature, The Automatic Hate, begins,…

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The Camera as Our Imagination: Hiroshima Mon Amour (1959) »

By Paul Risker. Alain Resnais and Hiroshima Mon Amour (1959) – two names forever locked in an embrace; the latter a defining and…

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Conventional Calamity: The Wave »

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By Elias Savada. Disaster movies are a dime a dozen here in the United States. Catastrophes (usually) are Hollywood’s bread-and-butter…and your buttered popcorn.…

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Small Town Texas Lite: A Country Called Home »

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By Elias Savada. Doused with a familiar, filial melancholy, A Country Called Home is a bittersweet tale of a 25-year-old woman coming to…

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Fleeting Reconciliation: Colliding Dreams »

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By Elias Savada. The nightmare that surrounds the Israeli-Palestinian conflict in the Middle East has never been an easy one to suppress. It’s…

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The Deceptively Simple Magic of Only Yesterday (1991) »

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by John Duncan Talbird. At the midpoint of Isao Takahata’s animated Only Yesterday (1991) narrator-protagonist Taeko gives us a lesson on the…

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Features

Rereading The Wire: police procedural, social games and the magic of blood »

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By Rajko Radović. Blood has been shed on the asphalt at night. We see it in close-up as thin red lines spreading…

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Madam Secretary: The Happy Family in Time of War »

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By Christopher Sharrett. When I first took note of the television series Madam Secretary (2014-), I assumed it was a sort of…

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Guy Ritchie’s The Man from U.N.C.L.E. and the Politics of Escapism »

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By Richard Grigg. Director Guy Ritchie’s 2015 film The Man from U.N.C.L.E. is of course inspired by the U.S. television series of…

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An Ogre’s Hide: Samad and Foolad Zereh, the Ogre »

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By Ramin S. Khanjani. For many avid followers of Iranian cinema across the world, the experience of this national cinema justifiably doesn’t…

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Monstrous Gaze: The Quandary of Spectatorship in La dolce vita »

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By William Repass. In the thematic arc formed by Fellini’s body of work, La dolce vita  (1960) can be said to represent…

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The Way, Way Back: An Appreciation »

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By Christopher Sharrett. Some months ago I saw The Way, Way Back (2013) and was taken by it enough to buy the…

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Peter Bogdanovich: The Comedy Smuggler »

She's Funny That Way

By James Knight. This August will see the US theatrical release of She’s Funny That Way, the latest feature from Peter Bogdanovich.…

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Mise-en-scène and the Rebirth of Film »

Man of the West

By Tom Silva. Film is a living thing and so it faces an unending series of deaths. Like the mythic hero in…

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Fair Game: Democratic Principle in Hollywood Romances, from Tracy and Hepburn to the Present »

Fair Game

By Robert K. Lightning. Lovers that demonstrate both spiritual affinity and spiritual equality have long been popular in middle-class entertainment. Repartee has…

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End of a Saga: Andrzej Wajda’s Wałęsa: Man of Hope »

Man of Hope

By Geoffrey Fox. The credits roll over a black-and-white newsreel of missiles and men parading before an austere Leonid Brezhnev in Moscow…

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Discovering Mary Pickford »

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By Tony Williams. The title of this article has a double meaning. It is primarily a reworking of that lavishly illustrated and…

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“Thinking as Negation”: Adorno, Vertigo, and the Paradoxical Promise of Popular Cinema »

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By Benjamin Bergholtz. “Each single manifestation of the culture industry inescapably reproduces human beings as what the whole has made them.” (Adorno…

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The Agony of Woman in Gett: The Trial of Viviane Amsalem »

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By Christopher Sharrett. Ronit and Shlomi Elkabetz’s Gett: The Trial of Viviane Amsalem is a work of such staggering importance that its…

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The Pictures of a Lady: In Praise of Grace Kelly »

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By Daniel Garrett. Some old films have a special appeal. They might not be excellent or particularly beloved objects, and yet they…

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Motherhood and Mourning in Giuseppe Tornatore’s The Unknown Woman »

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By Francesco Pascuzzi. Already with the film’s title, Giuseppe Tornatore’s The Unknown Woman (La Sconosciuta, 2005) sets out to toy with the…

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Un Flic: Melville and the Ambiguities »

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By Tony Williams. On initial release, Jean-Pierre Melville’s Un Flic (1972) disappointed many and has remained in critical limbo to the present…

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Stand, Men of the West! The Battle for Middle-earth (and Britain) »

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By Laura Crossley. “You’ve enjoyed the film, so now what are you going to do about the message? Tolkien didn’t just write…

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Radical Film-Making and Digital Paradox: the case of The Fourth Estate »

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By Elizabeth Mizon and Lee Salter. Digital media technologies are full of paradoxes. On one hand they are said to open up…

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The Trials of Love, Justice, and Prejudice: Tom Hanks and Jonathan Demme’s film Philadelphia »

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By Daniel Garrett. In the film Philadelphia (1993), written by Ron Nyswaner and directed by Jonathan Demme, the actor Tom Hanks is…

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On the Trail of Missing Millions in Emerging Europe: What Happened to a Fortune in Slovenian A/V Rights Due to Artists and Producers? »

Branko Djuric in No Man's Land (2001)

By Noah Charney. Branko Djuric, who goes by the nickname Djuro, is one the biggest film and television stars of the former…

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The Site of Nature: Exteriority and Overexposure in The Thin Red Line »

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By Trevor Mowchun. “Have mountains, and waves, and skies, no significance but what we consciously give them, when we employ them as…

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In Defense of Hitchcock and Serious Criticism »

Frenzy

By Robert K. Lightning. “It follows that the critic should read without inappropriate bias. We cannot properly object to The Pilgrim’s Progress,…

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Humanities in the Digital Era »

Lemmy Caution & Dr. Von Braun in Alphaville

By Wheeler Winston Dixon. We live in the age of the visible invisible; everything is supposedly available to us online, but in…

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The Fault in Our Films: Hollywood and the Illness Narrative »

The Theory of Everything

By Sheana Ochoa. Anyone who has watched the scene in the trailer of The Theory of Everything when Stephen Hawking’s character pulls…

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The Babadook: Ghosts in the Bedroom »

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By Christopher Sharrett. Australian filmmaker Jennifer Kent’s The Babadook is last season’s fascinating, much-discussed contribution to the horror film, a genre that…

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Revulsion and Derision: Antichrist, The Human Centipede II and the British Press »

Antichrist

By Martin Smith. Despite increased transparency and liberalisation at the British Board of Film Classification (BBFC) in recent decades, Britain remains one…

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Lost in Space »

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By Rajko Radovic. “I’m gonna wait till the stars come out. And see them twinkle in your eyes. I’m gonna wait till…

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“Isn’t it Bromantic?” – The Whole Damn Sony Mess, and What It Means »

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By Wheeler Winston Dixon. Now that some time has elapsed between the Sony hack and the release of the film that apparently…

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The Best of 2014 – and the Most Overrated »

BOYHOOD: remarkable or overrated?

By Film International. Another film year has come to an end and it’s time to sum up. Here are the films that…

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Tati Time: Criterion Delivers The Complete Jacques Tati »

Playtime

By Jeremy Carr.  Aside from his general lack of recognition as one of film history’s great comedians, the most tragic part of…

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“A Giant Gutter in Outer Space”: On the Schopenhauerian Themes of HBO’s hit series True Detective »

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By Mathijs Peters. Introduction Arthur Schopenhauer’s philosophy, which Samuel Beckett defined as “an intellectual justification of unhappiness – the greatest that has…

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The Radical Film Network: for sustainable, oppositional film culture »

RFN

By Steve Presence. “Today we do not really have any ‘centralized’ hubs like Indymedia anymore. What we do have is a proliferation…

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Five Iranian Voices on Reza Mirkarimi’s Today »

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COLLECTED AND INTRODUCED BY AMIR GANJAVIE. Reza Mirkarimi’s Today (Emrooz, 2014) was selected to represent Iran at the 2015 Oscars despite being…

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“Turn It Off!” – Sound and Silence in 1960s British Gothic Cinema »

Dracula, Prince of Darkness

By Wheeler Winston Dixon. It’s Halloween once again, and as one might suspect, American cable networks are offering a cornucopia of horror…

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The Representation of Men in the Films of Abdol Reza Kahani, Houman Seyedi and Bahram Tavakoli »

Here Without Me

By Asal Bagheri. [Editor’s note: This essay is published here in conjunction with the publication of Film International 69, vol. 12, no.…

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Jafar Panahi’s The Mirror: On Political Film in Post-Revolutionary Iranian Cinema »

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By Sara Saljoughi. [Editor’s note: This essay is published here in conjunction with the publication of Film International 69, vol. 12, no.…

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The Malick Illusion: Perceptual segmentation in The Thin Red Line »

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By Luis Antunes Rocha. “The image, in terms of sound, always has the basic nature of a question. Fundamental to the cinema…

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Toward the Limit: Michael Bay’s Transformers: Age of Extinction »

Trans Feat

By Carol Vernallis. Michael Bay poses a problem. He is the second-highest-grossing director, after Spielberg, so it’s not surprising that critics and…

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Santo in the Museum of the Mexican Film Industry »

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By John Burns. It seems that a number of historians and critics of Mexican film would be happier if the films starring…

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Son of Saul: Versions of the Irrational »

By Christopher Sharrett. I have been meaning for some time to put pen to paper about last year’s superb achievement by Laszlo Nemes, Son of Saul, but have hesitated for…

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Michael Morris’ Hermeneutics: Visual Music, Expanded Cinema, New Aesthetic »

By Michael Betancourt. Michael Morris’ expanded cinema performances, Second Hermeneutic (2013) lasting approximately nine minutes, and Third Hermeneutic (2014) lasting approximately eleven minutes, are both produced using a combination of traditional…

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In Praise of Susan Oliver: The Green Girl (2014) »

By Tony Williams. “She was so much more than the Green woman in Star Trek” (George Pappy DVD audio-commentary). “What I knew I didn’t want was to just get married and…

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Director Paul Greengrass prepares for a take.

United 93: A Social Conscience and the Ease of Historicism (A 10th Anniversary Retrospective) »

By David Ryan. Before United 93 opened ten years ago, the film’s previews were greeted with varying degrees of stress and grief. Although some theaters threatened to pull the previews…

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All the Fire: The use of sexual imagery as a way for attracting cinema audiences in 1950s America »

By Anthony Uzarowski. The 1950s are often seen as the time of Hollywood’s greatest splendour, yet the reality of the time was plummeting cinema attendance, which by 1953 came to…

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SW Feat

Star Wars Episode VII: Feminism from “Far, Far Away” »

By Sotiris Petridis. Introduction The Star Wars saga is an internal and important part of popular culture since its first filmic text back in 1977. Apart from the films, there…

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Cannibalized Chaos: Iago, The Joker and the “Good Sport” of Postmodernism »

By Richmond B. Adams. During a conversation approximately one-third of the way through The Dark Knight (2008), Bruce Wayne (Christian Bale) expresses to Alfred Pennyworth (Michael Caine) his view concerning…

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The Sentinel Excavated »

By Christopher Sharrett. I use the word “excavated” in my title not because the 1977 horror film The Sentinel , directed by Michael Winner, is lost to film history, but…

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The Assassin: Frustrating or rewarding?

The Best and the Most Overrated of 2015 »

By Film International. The editors’ Top 10 and Overrated 10 include films that were released in the editors’ respective regions during 2015. They have been selected by Daniel Lindvall (editor-in-chief,…

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The Show of Shows

CGI and the Audience: Things Better Left Unsaid »

By Fred Wagner. The Show of Shows (2015), a recently released documentary made out of archive footage shows the lost world of the circus – a cornucopia of acts the…

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Odklop

The Battle for Fair Remuneration: A Slovenian Drama with International Consequences »

By Edgar Tijhuis. Sometimes it seems like time stood still in Slovenia. In 2009 Variety magazine reported about a “royalty battle” in central and eastern Europe. Television producers and other…

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“All My Treasures”: On Ingrid Bergman – In Her Own Words (2015) »

By Tony Williams. Critic-director Stig Bjorkman, well known for his studies on directors such as Woody Allen and Ingmar Bergman, has made an intriguing documentary on this well-known star to…

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I, Shakespeare by Anonymous and Last Will. & Testament »

By David Ryan. Rewriting history is a common academic enterprise, and crafting Elizabethan history – particularly Shakespearean biography – is composed recursively. Though Anonymous (2011) is neither a serious effort at…

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Kurt Vonnegut Hunter Thompson Norman Mailer Tom Wolfe William Burroughs Jonathan Miller William Burroughs Jr Jacob Bronowski Robert Hughes Bob Woodward Carl Bernstein Peter Maas Germaine Greer Ray Connolly Geoffrey…

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Traces of Postindian Survivance: Two Short Films by Jeff Barnaby »

By John Garland Winn. Jeff Barnaby, a Mi’kmaq First Nations director, was four years old when the Quebec Provincial Police raided his Restigouche Reservation to restrict salmon fishing rights. The…

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