Thinking Film Since 1973
By Ali Moosavi. It is a romantic comedy about how people live their lives and how people love each other.
By Tom Ue. David Färdmar’s new film Are We Lost Forever explores what happens at the end of a picture-perfect
Identifying Features By Gary M. Kramer. The austere approach of Identifying Features contributes to the film’s haunting quality,,,,, (while) No Man’s Land's bluntness is why it is ineffective." Two films
The Ghost Train (1941) A Book Review by Tony Williams. Meticulously researched, accessible to all readers, and full of Anthony Slide’s usual discerning comments, it is an important study of
By Elias Savada. A lackluster affair, sporting cardboard characters and gag-worthy clichés." Just a few months ago Liam Neeson was fumbling around the generic wasteland of his usual escapist entertainment
A Book Review by Thomas Puhr. This powerful anthology illustrates how the archives are so much more than mere outtakes; they comprise an essential body of historical material, one which
Once a Thief (1989) A Book Review by Tony Williams. The second edition of the Historical Dictionary of Hong Kong Cinema, by Lisa Odham Stokes and Rachel Braaten, surpasses an
American Dream (1990) A Book Review by Kate Elora Rogers. The Films of Barbara Kopple offers a thorough dissection of this formative figure in documentary filmmaking, while assessing Kopple’s embrace
By Thomas Puhr. Tews blends green-screen footage, miniature work, practical effects, and a grainy sound design to mimic the look and feel of a ‘50s creature feature (that is, one
By Elias Savada. A small, fierce gem.... Moretz lets it all out with a thrilling performance." This movie reminds me of the intense, claustrophobic approach to air travel that 7500
By Ali Moosavi. It is a romantic comedy about how people live their lives and how people love each other. I think nobody should watch this film and say here is what it means to be a Muslim, because there is no one way to be a Muslim.” REVIEW When […]
Identifying Features By Gary M. Kramer. The austere approach of Identifying Features contributes to the film’s haunting quality,,,,, (while) No Man’s Land‘s bluntness is why it is ineffective.” Two films that deal with characters crossing the U.S.-Mexican border are being released January 22. Identifying Features is a potent drama, but […]
By Tom Ue. David Färdmar’s new film Are We Lost Forever explores what happens at the end of a picture-perfect relationship: Adrian’s (Björn Elgerd) and Hampus’ (Jonathan Andersson) partnership seems built to last. They are materially secure, and they are, for all appearances, compatible. One day, Hampus decides that the […]
The Ghost Train (1941) A Book Review by Tony Williams. Meticulously researched, accessible to all readers, and full of Anthony Slide’s usual discerning comments, it is an important study of one of Britain’s most misunderstood popular entertainers. For American and U.K. counterparts interested in the British past and watching Talking […]
Film Scratches is a blog by David Finkelstein focusing on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. Theory versus Practice: Letters from Vancouver (1973) Canadian filmmaker Kirk Tougas made his film diptych Letters from Vancouver in 1973, and […]
By Greg Burris. A film that manages to peer beyond the horizon at a time when doing so has become impossible for so many of us.” Films do not often bring me to tears. Even less often do those tears come in the first twenty minutes of the movie. Danish […]
By Elias Savada. A lackluster affair, sporting cardboard characters and gag-worthy clichés.” Just a few months ago Liam Neeson was fumbling around the generic wasteland of his usual escapist entertainment with Honest Thief. Easily forgotten stuff. He’s back in the same doldrums with a new film, in a new year […]
A Book Review by Thomas Puhr. This powerful anthology illustrates how the archives are so much more than mere outtakes; they comprise an essential body of historical material, one which must continue to survive for posterity.” With its ten-hour runtime and near universal praise, Claude Lanzmann’s Shoah (1985) is often […]
Once a Thief (1989) A Book Review by Tony Williams. The second edition of the Historical Dictionary of Hong Kong Cinema, by Lisa Odham Stokes and Rachel Braaten, surpasses an earlier 2007 edition edited by one of the key Western scholars in Hong Kong cinema, that contained contributions by Jean […]
American Dream (1990) A Book Review by Kate Elora Rogers. The Films of Barbara Kopple offers a thorough dissection of this formative figure in documentary filmmaking, while assessing Kopple’s embrace of other genres and storytelling modes.” The prolific career of filmmaker Barbara Kopple spans the last 45 years and still […]