“Hitchcock is Grammar”: Mark Cousins on My Name Is Alfred Hitchcock
By Jonathan Monovich. A lot of people talk about the scary Hitchcock, the manipulative Hitchcock, or the anti-feminist Hitchcock, but
By Jonathan Monovich. A lot of people talk about the scary Hitchcock, the manipulative Hitchcock, or the anti-feminist Hitchcock, but
By Yun-hua Chen. For me, the third installment of the trilogy is about liberation and breaking out of certain emotional
By Elias Savada. Berger’s take on the Catholic Church makes Conclave a thoroughly enjoyable thrill ride." The Pope is dead; long live the Pope‘s secrets. Papal riddles abound in this
By Jonathan Monovich. Dupieux’s Daaaaaalí! understands that to make a faithful film about Dalí it should lack convention.” Though Salvador Dalí’s paintings are far more famous than his contributions to
By Jonathan Monovich. The kind of film that leaves you invigorated, full of energy, and wanting to fight the good fight.” In Joshua and Rebecca Tickell’s well-informed documentary, Kiss the
A Book Review by William Blick. Informative, erudite, and comprehensive in several ways, with exhaustively precise details of Vidor’s career." When I opened the pages of Kevin Stoehr and Cullen
By Jonathan Monovich. The 4:30 Movie pridefully asserts its fandom." In The 4:30 Movie, Brian’s (Austin Zajur) life – like that of his friends Burny (Nicholas Cirillo) and Belly (Reed
By Thomas M. Puhr. I hope we get more Zimbabwean horror movies in the future, and that they’re much better than this one." It gives me no pleasure to announce
By Andrew Montiveo. Alonso has much to say with Eureka – about indigenous cultures, capitalism, history, and progress.... While the filmmaker seems intent on challenging his audience visually, this very
A Book Review by Matthew Sorrento. The supplementary footnotes included in Us: The Complete Annotated Screenplay should launch more needed commentary, showing that a scholarly monograph on the film is
By Marlisa Santos. As the movie-viewing public was becoming more comfortable with these kinds of filmic depictions, poster art, never to shy away from marketing hooks, aimed to tantalize prospective audiences with images that promised entrance into a suspenseful world of increasingly commonplace criminality and subversion of systemic stability…. University […]
By Jonathan Monovich. A lot of people talk about the scary Hitchcock, the manipulative Hitchcock, or the anti-feminist Hitchcock, but in looking at his films I wanted to see what really were the themes and where the humanity was in his work.” Mark Cousins Mark Cousins has dedicated his life […]
By Gary D. Rhodes. Even if it is not at the artistic level of many of those produced in the months, years, and decades that followed, The Phantom exemplifies ambition over vision. Its speed of production placed it in a pole position, independent of competition, let alone studios, a position […]
INTERVIEW: “Racial representation in visual horror fictions have also become a trope in the way that audiences do not expect to see minorities—or at least not very often and not alive for very long. Due to long-standing tropes, minorities in visual horror fictions have become, in a sense, invisible.”
By Elias Savada. Berger’s take on the Catholic Church makes Conclave a thoroughly enjoyable thrill ride.” The Pope is dead; long live the Pope‘s secrets. Papal riddles abound in this most peculiar political page-turner set in the Vatican, and the hunt for answers through every nook and cranny also finds […]
A Book Review Essay by Jeremy Carr. More than a mere biography with chronological touchstones and historical anecdotes (though there are plenty of those, and they’re fascinating), it is also a psychological profile delving into the inner motivations of its subject, and a lavishly illustrated assessment of how a Golden […]
By James Slaymaker. Shyamalan’s careful misdirection reveals much about his protagonist, the society he lives in, and the capacity of cinematic form to perpetuate dominant cultural values.” Spoilier Alert In the final sequence of M. Night Shyamalan’s Trap (2024), there’s a moment when Cooper Adams (Josh Hartnett), a serial murderer […]
By Jonathan Monovich. Dupieux’s Daaaaaalí! understands that to make a faithful film about Dalí it should lack convention.” Though Salvador Dalí’s paintings are far more famous than his contributions to cinema, Dalí’s peculiar signature left an indelible mark on film history as well. Dalí and Luis Buñuel’s collaboration, Un chien […]
By Yun-hua Chen. For me, the third installment of the trilogy is about liberation and breaking out of certain emotional or psychological prisons, shedding old skin so that new skin can grow. The sparrow is important because of this potential for freedom and flight.” —Ramon Zürcher From cat to spider, […]
By Jonathan Monovich. The kind of film that leaves you invigorated, full of energy, and wanting to fight the good fight.” In Joshua and Rebecca Tickell’s well-informed documentary, Kiss the Ground (2020), Woody Harrelson spoke of a solution “as old as dirt” that may help prevent humanity’s demise. The solution […]