By Elias Savada. Bill Nye and Neil deGrasse Tyson, please step aside…at least for 91 minutes…and allow the world to shine a light on a man unknown to most of us, but who wholeheartedly deserves our attention and admiration. He’s not your big name science guy and probably doesn’t contemplate the vast interstellar universe, but […]
By Elias Savada. I wonder if lawyer jokes were invented for Roy M. Cohn, the notorious attorney at the center of this perfectly timed documentary about the man who spent decades causing mayhem in the legal profession and creating turmoil for many who crossed his path during the last half of the 20th century. I also […]
By Elias Savada. H.G. Wells, move over. In the century-and-a-quarter since his science fiction novella popularized the notion of time travel, the theme of moving back and forth through a temporal vortex, fourth dimensional rupture, or other weird-sounding description has fascinated us. Whether long term and short visits to the past and/or future, the movies […]
By Elias Savada. There’s a swarth of idiocy running through this so-called dark comedy, but for the most part it fails at being what I had hoped for: funny. Plenty of drollness, though that falls flat, too. Director Daniel Schienert (half of the team known as the Daniels, who made the eccentric 2016 critic favorite […]
By Elias Savada. No, Linda Ronstadt is not dead. While Parkinson’s Disease has sadly removed her from the public and concert stage for over a decade, the joy of her music is heartwarmingly captured in this greatest-hits-and-more salute from award-winning filmmakers Rob Epstein and Jeffrey Friedman. The extraordinarily talented artist, now retired in San Francisco, […]
By Elias Savada. There’s a certain phantasmagoria at play in Alejandro Landes’ Monos, in which a group of eight teenagers are living an odd communal life in the mountains of Latin America. Maybe it’s the altitude – they live in a spartan, often muddy, encampment high above the clouds and the apparent skirmishes in the […]
By Elias Savada. At moments during filmmaker Max Lewkowicz’s lovely homage to one of the world’s greatest musicals, I was verklempt. I got choked up over Chaim Topol’s interpretation of Tevye the milkman in Norman Jewison’s film version of Fiddler on the Roof, and when Lin-Manuel Miranda breaks out into a rendition of To Life […]
By Elias Savada. Sad to say, but it wasn’t a good idea for American filmmaker Bart Freundlich to remake the Oscar-nominated Best Foreign Language Feature Efter Brylluppet (After the Wedding), the 2006 film from Danish writer-director Susanne Bier. Bier, whose 2004 Danish war drama Brødre (Brothers) was also rejiggered for American audiences to negligible advantage, […]
By Elias Savada. In a way, I consider myself a film archivist. I don’t do that for a living now, but I do have close ties with many such institutions, especially in the United States (the larger repositories being the Library of Congress, NYC’s Museum of Modern Art, Rochester’s George Eastman Museum, the UCLA Film […]
By Elias Savada. Fifty years ago (gulp!) I never made it to Woodstock. I didn’t even try, although I had a hallucinogenic blast four years later at the 1973 Summer Jam in Watkins Glen (instant weekend population: 600,000). $10 to see the Allman Brothers Band, Grateful Dead and The Band perform. Drove up from D.C., […]
