By Gary D. Rhodes. How of one ounce of Silver maie Silver be noe more.” – Thomas Norton, The Ordinall of Alchimy (1477)* Embodied practice and cinematic technology yields alchemical crucible in E. Elias Merhige’s Begotten, a non-dialogue film of 1989 that the London Film Festival declared “breaks all moulds, […]
Architects of Their Own Stories – The Cinema Coven: Witches, Witchcraft and Women’s Filmmaking
A Book Review by Dávid Szőke. Alexandra Heller-Nicholas reveals the potential of contemporary filmmaking to challenge conventional cultural narratives about the witch, offering these figures greater space where they are no longer just passive objects of our anxieties but architects of their own stories.” The figure of the witch as […]
Two Early Genre Gems: The Bat (1926) and The Canary Murder Case (1929)
By Thomas Gladysz. Released by Undercrank Productions, The Bat stands as a high point in the ‘old dark house’ genre / sub-genre.” In the first decades of the 20th century, film was finding its way. Then, the various genres were being defined — and redefined, with the release of just […]
Nosferatu (2024) – Against Tradwives and Uplift Stories
By J. M. Tyree. More revenants, albeit less interesting ones, are likely to emerge from this weirdly unkillable source, one that has always reached into the uncanny ability of cinema itself to bring dead things back to life.” Robert Eggers’s new version of Nosferatu is not my favorite contemporary vampire […]
Slow-Paced Stakes: The Vourdalak
By Andrew Montiveo. A hauntingly unique addition to the vampire canon, much like the story that inspired it.” When discussing vampiric cinema, Robert Eggers’s Nosferatu inevitably comes to mind. Ironically, the “original” Nosferatu was truly original – a German knockoff of Bram Stoker’s Dracula. Stoker’s 1897 novel remains the definitive […]
A Rich Space for Personal Expression – Alexandra Heller-Nicholas on The Cinema Coven: Witches, Witchcraft and Women’s Filmmaking
By Jenny Paola Ortega Castillo. Hopefully the book will be part of a broader shift towards more focused, deeper critical dives into the nitty gritty of women’s horror filmmaking now that the field has been broadly solidified with incredible foundational texts….” Alexandra Heller-Nicholas’ career offers a rich tapestry of interests […]
“Night Wanderings” with Nosferatu (2024)
By Gary D. Rhodes. Few filmmakers are as capable of waking the dead, and of transporting us to them, than Robert Eggers, the Charon of American cinema.” “He is coming,” we learn of Count Orlok (Bill Skarsgård) during Robert Eggers’ new film, just as we have heard for many years […]
Exploring Collective Fear, with a Solar-Powered Cellphone: Bruce Wemple’s The North Witch
By Andrew Montiveo. Imperfect and occasionally clunky, its slow-boil tension, isolation-driven horror, and cerebral elements make it a compelling watch….” Recently, witches have become conduits for exploring folklore and collective fear, as in The Blair Witch Project (1999), where ambiguity reigns, blurring the lines between reality and myth. These varied […]
The Phantom (1931): Hollywood’s First Independent Horror Movie
By Gary D. Rhodes. Even if it is not at the artistic level of many of those produced in the months, years, and decades that followed, The Phantom exemplifies ambition over vision. Its speed of production placed it in a pole position, independent of competition, let alone studios, a position […]
“The Invisible Man”: Race in Horror Films
INTERVIEW: “Racial representation in visual horror fictions have also become a trope in the way that audiences do not expect to see minorities—or at least not very often and not alive for very long. Due to long-standing tropes, minorities in visual horror fictions have become, in a sense, invisible.”