Unstoppable: Wrestling and the Plasmatic

By Justin Muchnick. No amount of movie magic, it seems, can fully replace Robles’ own unparalleled plasmaticness. I only wish Sergei Eisenstein could have seen this film, too….” The Soviet director Sergei Eisenstein, pioneer of film theory and lover of Disney cartoons, coined the term plasmatic to describe the ecstatic […]

Two Early Genre Gems: The Bat (1926) and The Canary Murder Case (1929)

By Thomas Gladysz. Released by Undercrank Productions, The Bat stands as a high point in the ‘old dark house’ genre / sub-genre.” In the first decades of the 20th century, film was finding its way. Then, the various genres were being defined — and redefined, with the release of just […]

Joker Folie á Deux and the Shared Madness of Modern Film Critics

By Gary D. Rhodes. It is so very easy to hobgoblinize a film, even if one needs a thesaurus to ferret out an abundance of negative adjectives. And yet, I am struck by the sheer number of blatant errors and falsehoods about FáD that mainstream critics have relied upon.” Todd […]

The Unmanageable Maid

By Robert K. Lightning. Whether through indifference, innuendo, or caustic commentary, she makes her opinions apparent to her employers and, essentially, subverts any pretense of absolute authority over her. She is effectively unmanageable.” In honor of the fiftieth anniversary of its publication in 1973, I recently pulled Donald Bogle’s Toms, […]

On the Brink of Obliteration: Black Dog (Gou Zhen, 2024)

By Yun-hua Chen. A portrait of a town on the brink of obliteration and a meditation on lives rendered powerless by political and socioeconomic currents….” A man and a dog in a small northwestern town in China’s Gobi Desert—this premise might sound like a minimalist bore, but not when the […]

Nosferatu (2024) – Against Tradwives and Uplift Stories

By J. M. Tyree. More revenants, albeit less interesting ones, are likely to emerge from this weirdly unkillable source, one that has always reached into the uncanny ability of cinema itself to bring dead things back to life.” Robert Eggers’s new version of Nosferatu is not my favorite contemporary vampire […]

Pandemic Dreams: A Trip Elsewhere

By William Blick. A zany yet suspenseful cinematic experience.” I saw the phrase, “after the plague, came the renaissance,” scribbled on a subway station wall and thought it was perhaps somewhat applicable to the aftermath of the Covid-19 pandemic. It seems that there has been a huge surge of creativity […]

Slow-Paced Stakes: The Vourdalak

By Andrew Montiveo. A hauntingly unique addition to the vampire canon, much like the story that inspired it.” When discussing vampiric cinema, Robert Eggers’s Nosferatu inevitably comes to mind. Ironically, the “original” Nosferatu was truly original – a German knockoff of Bram Stoker’s Dracula. Stoker’s 1897 novel remains the definitive […]