Revulsion and Derision: Antichrist, The Human Centipede II and the British Press

By Martin Smith. Despite increased transparency and liberalisation at the British Board of Film Classification (BBFC) in recent decades, Britain remains one of the most censorious democratic countries in the world. Annette Kuhn’s model of censorship, outlined in her Cinema, Censorship and Sexuality: 1909-1925, details censorship as a process “produced […]