By Elias Savada. There is an elegant, simple beauty in documentarian Errol Morris’s affectionate portrait of his friend, soft-spoken, 80-year-old Elsa Dorfman, in his new film. In a career that spanned the majority of her adult life, Dorfman has found the fun in photography, and it’s probably best to spell it […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
