Love alters when it alteration finds: Confession (2012)

By Robert Kenneth Dator. The missed assignation, and the phone call that never comes, and the axioms would seem to pile up in drifts within the mind of the suffering lover: ‘leave well enough alone’; ‘let sleeping dogs lie’; ‘curiosity killed the cat’—even so, the voices of a weak resolve […]

An Introduction to Film Africa 2012

By Basia Lewandowska Cummings, Programme Associate. In a year when cultural institutions of all kinds have felt under direct attack, building the size and scope of an African film festival in London has been no easy task. With funding cuts, and an increasingly rampant rhetoric of ‘necessity’ and ‘efficiency’, the […]

The New York Film Festival, 28 September – 14 October, 2012

By Gary M. Kramer. Celebrating 50 Years, the New York Film Festival at Lincoln Center showcased celebrities–from Nicole Kidman for The Paperboy (Daniels, 2012) to Denzel Washington, star of the closing night film Flight (Zemeckis, 2012). An international cast of filmmakers was also on hand–from Chile’s No (Larrain, 2012) to […]

CFP: Music & the Moving Image VIII

MUSIC & THE MOVING IMAGE VIII Conference at NYU Steinhardt: May 31-June 2, 2013 CALL FOR PAPERS The annual conference, Music and the Moving Image, encourages submissions from scholars and practitioners that explore the relationship between music, sound, and the entire universe of moving images (film, TV, video games, mobile […]

Compliance (2012): A San Francisco International Film Festival Review

By Janine Gericke. There are some movies that I refuse to watch. There are some things that I don’t need burned into my brain. Usually, that Black List consists of painful and uncomfortable things like Eli Roth’s torture porn oeuvre. Surprisingly, Compliance is far from torture porn. It doesn’t have gore. But it […]

Planetary Projection: Call for Participation

caboose, an independent publisher of books about film located in Montreal, Canada, is starting a new project on film projection called Planetary Projection, coordinated by Marina Uzunova. They are seeking contributions for an online album and eventual book from projectionists willing to share their experiences. For more information about this project, […]

Farewell, My Queen (2012): A San Francisco International Film Festival Review

By Janine Gericke. Versailles calls to mind images of opulence, decadence, couture, ostentatious design and, of course, Marie Antoinette. Filmmaker Benoît Jacquot’s film Farewell, My Queen, based on the novel by Chantal Thomas, shows viewers both sides of this famous palace. The beautiful side, with its lush fabrics, golden hues […]

Savages (2012)

By Bryan Nixon. Oliver Stone, the 80’s and 90’s king of aggressively provocative and political American filmmaking (Platoon, Natural Born Killers, JFK), has been directing lackluster films with monstrous ambition over the last decade (Alexander, Wall Street 2, W.). The problem is that he has become regrettably soft in his […]