By Anthony Killick. The success of the 2012 Bristol Radical Film Festival proved how the demand for socially and politically engaged film hasn’t dwindled, despite attempts by those in power to abstract politics away from the day-to-day lives of the public. The festival showed how film is one of the […]
Lab Coats in Hollywood
By Wheeler Winston Dixon. Scientists and mathematicians will never understand artists, and vice versa. This was brought home to me forcefully by David A. Kirby’s book, Lab Coats in Hollywood: Science, Scientists, and Cinema (Cambridge, MA: MIT Press, 2011), which traces the checkered history of math and science experts in […]
Death of the Moguls: An Interview with Wheeler Winston Dixon
By Daniel Lindvall. With his new book, Death of the Moguls: The End of Classical Hollywood, Wheeler Winston Dixon has performed no mean feat in finding a fresh and illuminating perspective on what is probably the most written about phenomenon in film history, the Hollywood studio system. By placing the […]
Gay Friendly (as long as you’re not Palestinian): The Invisible Men
By Morvary Samaré. The Invisible Men, an Israeli film by director Yariv Mozer, was one of the documentaries that screened at this year’s One World Human Rights Film Festival in Prague, Czech Republic. The film portrays the stories of three gay Palestinians and their struggle to create a tolerable life […]
Re-Birth of a Nation or Why Django Has More to Say about Contemporary America than the Other “Historically Accurate” Films
By Celluloid Liberation Front “The former enemies of North and South are united again in common defence of their Aryan birthright.” (D.W. Griffith in The Birth of a Nation) “A single Negro regiment would have a remarkable effect on Southern nerves… A war of this kind must be conducted on […]
Annie and the Gypsy: Interview with Russell Brown
By Gary M. Kramer. Writer/director Russell Brown makes short, sharp films that investigate how and why friends treat each other badly. His enjoyable feature debut Race You to the Bottom (2005) had two BFFs taking a tour through wine country and cutting each other down over the course of their […]
Berlinale Report, 7 February – 17 February 2013
By Yun-hua Chen. Against a backdrop of the Berlinale bear, the film festival opens with Wang Kar Wai’s The Grandmaster (2012), the five-year’s lavish-looking work of the president of the international jury. During the ten-day celebration of cinema, the city was honoured by the glamorous presence of international stars every […]
The Shining 2.0 or: How New Media Changed Film Analysis
By Hampus Hagman. In Iron Man 2 (2010), Tony Stark discovers that his deceased father has left behind coded sketches for a revolutionary new element that could not be realized during his lifetime due to technological limitations. It is up to the son to decode these and use the means […]
Truth in Pop Art: An Interview with Donny Miller
By Wheeler Winston Dixon. “Remember, you can have anything. You just have to think it. Just kidding, life isn’t that simple.” (Donny Miller) Donny Miller is one of the more interesting visual artists working today; he’s active not only in graphics and painting, but also video art, performance art, and […]
Fallen City (2013): A Sundance Review
By Jacob Mertens. In the summer of 2008, the Great Sichuan Earthquake rattled China’s cage and left a death toll of nearly seventy thousand people. Within this massive scope of destruction, the city of Beichan, once home to twenty thousand, was obliterated in a fleeting moment. The earthquake wiped Beichan […]