By Theresa Rodewald. There is a lot of dark, a lot of noir to be found in Bologna after all….” Bologna in late June is terracotta porticos, scorching sun and sweat. A city in dusty pastel colours, full of medieval remnants, with the world’s oldest university. Quite possibly the opposite […]
Creatively Tributing the Master – A Hint of Hitchcock: Stories Inspired by the Master of Suspense
A Book Review by Brian Greene. The original stories are well-written and compelling enough to stand on their own apart from their associations with the great auteur.” Alfred Hitchcock had a deep connection to literature. The authors whose novels and short stories served as the bases of his films include […]
Everyone’s Cinema Scholar: Remembering David Bordwell (1947-2024)
Film International editors, contributors, and correspondents offer personal tributes and commentary on the late scholar of cinema. I regret never having the pleasure of meeting David Bordwell. My only interaction with him was a lively email exchange little over 10 years ago. I was planning an article on the early […]
The Surveillance Economy of David Fincher’s The Killer (2023)
By David Ryan. The Killer argues that no matter how much security wealth buys or the number of datalocks that conglomerates build, these defenses can be poked and usurped by determined criminals. Conversely, no matter how clandestine criminal cells are organized, they can be destroyed, particularly from within.” Spoiler Alert […]
Resistance to Conformity: Eva Vitija’s Loving Highsmith (2022)
By Melanie Marotta. Ever since I was sixteen or seventeen, I’d – I’d get what is sometimes called creepy ideas.” (05:19-05:25) With Loving Highsmith (2022), writer and director Eva Vitija does what others have refused to do – she resists labeling Highsmith. Instead, by allowing her life to unfold, viewers […]