By Matthew Sorrento. Passive victims of crime are rare in popular American cinema. In Crime Films, scholar Thomas Leitchobserves that a lead character, if violated, will move toward vengeance, either on his/her own or with assistance. A strong exception is the new abuse victim film (Mysterious Skin, Towelhead, Precious), which […]
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Ali Moosavi
A Producer’s Journey, from Tehran to Hollywood – Barry Navidi on Modi: Three Days on the Wing of Madness
Andrew Montiveo