Horror Film Ascendant

By Gary D. Rhodes. 2026 is the watershed year of the bloodshed film. The sleep of reason has produced monsters, worlds of gods and monsters, new and old, now lauded by all except the most unreasonable amongst us.” To face evil and survive, or, for that matter, to face evil […]

The Red Sea Phenomenon: A Genealogical Erasure of Female Pioneers

By Betty Kaklamanidou. This patriarchal structure operates like a ‘fixer,’ a sophisticated, centuries-old system that protects male supremacy by eliminating the names of women who achieved greatness, leaving behind a male-centric narrative.” This spring semester my two elective courses focus on the history of Greek cinema, specifically the work of […]

Dead Souls on the U.S. Border: On Alex Cox’s “Final Film”

By Jenny Paola Ortega Castillo. Alex Cox, in what may be his final film, smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold, timely political Western situated in the borderlands of the 19th-century American West.” Alex Cox’s newest release Dead Souls (2025), stands as a […]

Alex Cox’s Dead Souls to Close SF IndieFest

Cox’s new revisionist Western offers commentary on contemporary immigration policy and violence.” Alex Cox will appear at SF IndieFest at San Francisco’s Roxie Theater for the closing night screening of his new film, Dead Souls. His adaptation of Nikolai Gogol’s novel resituates the story as a Western, placing the action […]

The Soul Through a Series of Trials: Bruno Dumont’s Hadewijch (2009)

By Jackson Diianni. A landmark of Dumont’s career, and one of modern history’s most incredible films.” Bruno Dumont’s Hadewijch, released 16 years ago, was, until recently, unavailable to stream in the U.S., but has now become available on Amazon Prime, Apple TV and several other services, where it can hopefully […]

The Older and Newer: Budapest Classics Film Marathon 2025

By Yun-hua Chen. Showcasing restored films that are over 20 years old, the festival embraces the entire arc of cinematic history….” Now in its eighth year, the Budapest Classics Film Marathon showcases restored films that are over 20 years old. The festival embraces the entire arc of cinematic history—from the […]

Starring in His Own Nightmare: Joe Begos on Jimmy and Stiggs

By Anela Henley. I never thought I’d be starring in a movie that I made, but just by nature of the circumstances I had to. I think that elevated me as a filmmaker….” Writer-director Joe Begos broke into the indie film scene in 2019 with his third feature Bliss, incorporating doom […]

Preview: Shadows in the Sunlight – On the Noir Western

By Anees Aref. Often described as “psychological westerns”, these films eschewed the conventional heroes of the old west for more complicated protagonists, flawed and motivated by darker impulses….” The “Noir-Western” sounds like a contradiction in terms. One associates the western with the 19th century American frontier, wide open vistas, horses, cowboys […]

Call for Proposals – Cinematic Memory: Narrative, Recollection, and Identity (Edited by David Ryan)

______________________________________________________________________________ “I have to believe in a world outside my own mind. I have to believe that my actions still have meaning, even if I can’t remember them.”— Leonard Shelby, Memento (2000) “Memories can be vile, repulsive little brutes. Like children, I suppose. But can we live without them?”— The […]