Van Gogh (1991)

By Christopher Neilan.  Pialat is not celebrated in the US like Truffaut, nor adored in critical circles like Godard and Melville.  He’s a palme d’or winner who emerged in the post-new wave environment – Truffaut, in fact, produced his first feature in 1968 – but one whose rigidly realist, langorously […]