By Paul Risker. Worlds continue to merge as Carol Morley instigates an ongoing collision between narrative fiction and documentary within her young oeuvre. But with her most recent narrative fiction film The Falling (2015), this collision extends to the very fabric of the film itself. Beneath the surface of its […]
There is No “There” Anymore: Shin Su-Won on Madonna (2015)
June 14, 2015
By Amir Ganjavie. What is particularly amazing about new Korean movies is their ability to be simultaneously popular and very critical of Korean society. We have already see this in masterpieces likes Memories of Murder (2003), a touching detective story that probes its social milieu throughout. Madonna, directed by Shin […]