By Tony Williams. If Robin Wood once said on a DVD feature, “If you don’t like Marnie, then you don’t like Cinema”, any encounter with Hawks’s Only Angels Have Wings (1939) challenges any viewer in a similar manner. As Gerald Mast (105) wrote, the film serves as “a cutting edge […]
ONLINE | Thinking Film Since 1973
Gary D. Rhodes
The First Movie Studio in Texas: Gaston Méliès’s Star Film Ranch – Kathryn Fuller-Seeley on Collaborating with Frank Thompson
Betty Kaklamanidoy
The Red Sea Phenomenon: A Genealogical Erasure of Female Pioneers
