By Ramin S. Khanjani. Of all directors associated with the pre-1979 “Iranian New Wave,” Nosratallah Karimi probably presents one odd case for study. With the inconsistent critical reception of the films he has to his credit as an actor and director,[1] Karimi is classified as belonging to a borderline sub-group […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
“Snapshots” and “Spotlights”: Selections from the 61st Chicago International Film Festival
Alexandra Heller-Nicholas
The Soderbergh of the Sticks: Mickey Reece and the Prehistory of Every Heavy Thing
