By Elias Savada. There is a brazen, dangerous atmosphere floating about the French-language feature Elle, a dramatic thriller with much to admire but, depending on your sensibilities, not as much to like. Maybe I’m too much of a puritan in this case and need to re-watch it. It’s an edgy […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
“Pain Creates Character Distortion”: David Cronenberg’s The Shrouds
Alexandra Heller-Nicholas