By Elias Savada. Let’s refresh: the films of French writer-director François Ozon tend to be sly, unsettling, and daring observations of the human condition, whether playing with a 1950s musical mystery (8 femmes [8 Women], 2002), diving into a provocative thriller (Swimming Pool, 2003), offering some froth in the 2010 wife-empowered […]
ONLINE | Thinking Film Since 1973
Jenny Paola Ortega Castillo
A Rich Space for Personal Expression – Alexandra Heller-Nicholas on The Cinema Coven: Witches, Witchcraft and Women’s Filmmaking
Thomas M. Puhr