By Jeremy Carr. Two credits stand out on Francis Ford Coppola’s 1983 film Rumble Fish. One is Stewart Copeland, then drummer for The Police, who provided the picture’s hypnotic, dissonant rock-jazz score. The second is Michael Smuin, choreographer and co-director of the San Francisco Ballet; he staged an early fight scene […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
“Pain Creates Character Distortion”: David Cronenberg’s The Shrouds
Alexandra Heller-Nicholas