Code Unknown (2000) I try to rouse the viewer from his status as a victim in order to give him a more flexible position in relation to the film.” By Jeremy Carr. There’s a penetrating coldness that commonly characterizes the films of Michael Haneke. Rightly or wrongly, similar notions of […]
ONLINE | Thinking Film Since 1973
Jenny Paola Ortega Castillo
A Rich Space for Personal Expression – Alexandra Heller-Nicholas on The Cinema Coven: Witches, Witchcraft and Women’s Filmmaking
Thomas M. Puhr