History, Criticism, and Splendid Extras: On V. F. Perkins on Movies

Lola Montès (Max Ophüls, 1955) By Jeremy Carr. This deceptively uncomplicated language in fact sustains some of the most profound observations on cinema ever recorded.” Anyone who has read V. F. Perkins’s influential 1972 text Film as Film will find much that is familiar in V. F. Perkins on Movies, […]