By Alex Ramon. This modest small-town-set charmer, the debut fiction feature of its director, operates with a stealth subversiveness that proves all the more refreshing.” The biggest splashes in Polish cinema over the turbulent past twelve months have been made by two films: Mariusz Wilczyński’s Berlinale success Kill It and […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
