By Christopher Sharrett. Zhao’s film would seem to follow Bruder’s impulse in documenting a profound and perpetual economic crisis, as contemporary America’s bosses opt for an outsourced and financialized economy…. But the film’s critical concerns tend to leave center stage.” The opening card for Chloe Zhao’s Oscar-winning Nomadland informs us […]
ONLINE | Thinking Film Since 1973
Gary D. Rhodes
The First Movie Studio in Texas: Gaston Méliès’s Star Film Ranch – Kathryn Fuller-Seeley on Collaborating with Frank Thompson
Betty Kaklamanidoy
The Red Sea Phenomenon: A Genealogical Erasure of Female Pioneers
