By Jeremy Carr. The imagery of Los tallos amargos is not only its most strikingly noirish attribute, but it’s among the more dazzling of any film, of any genre.” A cursory survey of film history would seem to suggest that Hollywood had cornered the market on the best of what […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
