Skip to content
  • facebook
  • twitter
Tuesday, Aug 4, 2026
FilmInt.nu

ONLINE | Thinking Film Since 1973

August 2, 2026
Jonathan Monovich

“Much Better than Reality”: Julian Schnabel on In the Hand of Dante

July 29, 2026
Film International Online

Channel Academic Publishing Launches as a Scholarly Imprint of BearManor Media

July 21, 2026
Ali Moosavi

Outsider Selections: Cannes 2026

Primary Menu
  • Features
  • Interview
  • Review
  • Festival Reports
  • Blogs
  • About Film International
  • Contact
Saturday June 11, 2022

Day: June 11, 2022

Features

Counterfeit Money: Jean-Luc Godard’s The Great Swindler (aka The Confidence Man, 1964)

James Slaymaker
June 11, 2022
0

By James Slaymaker. The Great Swindler deserves to be recognised as a major work that sheds light on Godard’s attitude towards technology, critical reflexivity, and the shortcomings of the classical documentary mode.” Considered as a whole, Jean-Luc Godard’s filmography may be read as a reflexive historiography of the transforming technologies […]

Most Popular

  • Features
    1970s Rape-Revenge Films and their Remakes: Changing Representations
  • Interview
    Dreamer and Performer: An Interview with Jessica Henwick and her Father, Novelist Mark Henwick
  • Features
    Against and For Irreversible
  • Review
    Sexual Chronicles of a French Family (2011)
  • Features
    Tarkovsky’s The Sacrifice: Against All Doctrine
  • Features
    Revenge is Sweet: The Bitterness of Audition
  • Blogs
    Channel Academic Publishing Launches as a Scholarly Imprint of BearManor Media
  • Blogs
    Ten Rules for Doing Documentary Interviews the Right Way
  • facebook
  • twitter
Copyright All rights reserved
  • facebook
  • twitter