By Dina Iordanova. My interest, however, is in the festival as a shell – its structure and functionality; the films are a component that is vitally important but also ephemeral. And, in the year 2022, there is a lot to say about how film festivals in Europe emerge post-Covid.” It […]
ONLINE | Thinking Film Since 1973
Andrew Repasky McElhinney
Remembering Making The Things We Do for Love: A Cinemagic
