By Dina Iordanova. My interest, however, is in the festival as a shell – its structure and functionality; the films are a component that is vitally important but also ephemeral. And, in the year 2022, there is a lot to say about how film festivals in Europe emerge post-Covid.” It […]
ONLINE | Thinking Film Since 1973
Jenny Paola Ortega Castillo
A Rich Space for Personal Expression – Alexandra Heller-Nicholas on The Cinema Coven: Witches, Witchcraft and Women’s Filmmaking
Thomas M. Puhr