More “Dead Men and Broken Hearts”: Liminal Noir in Classical World Cinema

A Book Review by Dávid Szőke. While acknowledging the broadening of the debated canon, this volume, edited by Elyce Rae Helford and Christopher Weedman, focuses on how liminality extends beyond physical spaces, emphasizing the fragmented psychological and social realms onscreen after the war.” “Dead men are heavier than broken hearts,” […]