By Catherine Russell. The cinema exalts the role at the same time that it destroys the actor.” —Edgar Morin, The Stars Stanwyck made two films with Douglas Sirk in the 1950s—All I Desire (1953) and There’s Always Tomorrow (1955)—in which she gives two of her finest performances. In both films […]
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Jonathan Monovich
“Snapshots” and “Spotlights”: Selections from the 61st Chicago International Film Festival
Alexandra Heller-Nicholas
The Soderbergh of the Sticks: Mickey Reece and the Prehistory of Every Heavy Thing
