By Jeremy Carr. Just as crucial to The Shootist is what Books leaves behind, which, prior to the beginning of the film, was nothing more than his dubious exploits and the tales that followed. By the end of the film, though, there is something more.” It obviously isn’t necessary to […]
ONLINE | Thinking Film Since 1973
Gary D. Rhodes
The First Movie Studio in Texas: Gaston Méliès’s Star Film Ranch – Kathryn Fuller-Seeley on Collaborating with Frank Thompson
Betty Kaklamanidoy
The Red Sea Phenomenon: A Genealogical Erasure of Female Pioneers
