By James Slaymaker. Shyamalan’s careful misdirection reveals much about his protagonist, the society he lives in, and the capacity of cinematic form to perpetuate dominant cultural values.” Spoilier Alert In the final sequence of M. Night Shyamalan’s Trap (2024), there’s a moment when Cooper Adams (Josh Hartnett), a serial murderer […]
ONLINE | Thinking Film Since 1973
M. Sellers Johnson
A Prototype for Future African Works: Producer Mo Abudu on Dust to Dreams
William Blick
The Plain Truth – Rick Goldsmith on Stripped for Parts: American Journalism on the Brink
Jonathan Monovich
Analyzing “on a Forensic Level”: Tim Lucas on the 30th Anniversary of Throat Sprockets
