By George Toles. Expressive objects abound in the world of Ball of Fire. What makes an object cinematically expressive? Let us begin by thinking about a door [which] becomes more charged with significance if we are led to assume that the room behind it contains an armed criminal or a […]
ONLINE | Thinking Film Since 1973
M. Sellers Johnson
Ocean Activism and Unfiltered Environmental Stewardship: Ben Judkins on The Cigarette Surfboard (2024)
Andrew Repasky McElhinney
Remembering Making The Things We Do for Love: A Cinemagic
