By Ellie Dean. We have very clear socially constructed, stereotypical ideas of what girlhood means, what femme adolescence means, what motherhood means, etcetera, and horror works so well as a forum to explore and deconstruct these cliches because it defamiliarizes them, makes them strange, and at its best transgresses and […]
Primal Ponderings: Home Invasion Horrors
A Book Review by William Blick. The last word on this niche genre, with a dense amount of information….” No genre of film is more subdivided and diverse than the horror genre. Over the years, this form of cinema has radically morphed into myriad subgenres that reflect the most primal […]
Starring in His Own Nightmare: Joe Begos on Jimmy and Stiggs
By Anela Henley. I never thought I’d be starring in a movie that I made, but just by nature of the circumstances I had to. I think that elevated me as a filmmaker….” Writer-director Joe Begos broke into the indie film scene in 2019 with his third feature Bliss, incorporating doom […]
Satirizing Horror and Spellbinding the Social Contract: Weapons (2025)
By David Ryan. As a follow-up to Zach Cregger’s horror drama Barbarian (2022), Weapons explores the recursive relationship between personal antagonisms and the erosion of civic trust, staging what Robin Wood identifies as horror’s central tension—the destabilization of the social order….” With Weapons (2025), writer-director Zach Cregger leans on the […]
When Jaws Premiered; or, the Hottest and Coolest Weekend on Record
By Gary D. Rhodes. The great flood-gates of the wonder-world swung open.” — Herman Melville, Moby-Dick (1851) Friday, June 20, 1975. Newspapers report the assassination of mob boss Sam “Momo” Giancana. Gerald Ford authorized his campaign to start fundraising for his presidential bid. Postal workers picketed in Washington, D.C. The House […]
A Futurist Fascination – Strangelove Country: Science Fiction, Filmosophy, and the Kubrickian Consciousness
A Book Review Essay by Jeremy Carr. A well-researched work of personal scholarship, with an array of sources and citations utilized to substantiate D. Harlan Wilson’s own arguments or to initiate new avenues of thought….” D. Harlan Wilson wastes little time establishing the importance of the science fiction genre to […]
Indelible Footprints: Joseph Maddrey’s The Soul of Wes Craven
A Book Review by William Blick. Maddrey illuminates the master from behind the scenes and shines a light on exactly what he means to the language of cinema.” Joseph Maddrey, author of Nightmares in Red, White, and Blue (2004) has a new title The Soul of Wes Craven (Harker Press) […]
Van Helsing’s Key: The Latin Reading in Dracula (1931)
By Nicholas Goodhue. As far as I can discover, none of the commentators on the film have satisfactorily explained the meaning and importance of the film’s Latin passage…. However, the passage does in fact provide the basis for Van Helsing’s conclusion regarding his analysis of Renfield’s blood.” About thirty minutes […]
Her Own Star – Vera Miles: The Hitchcock Blonde Who Got Away
A Book Review by Thomas M. Puhr. Author Christopher McKittrick makes a persuasive case for celebrating the consummate professional Miles became rather than mourning the icon she never was….” It says a lot about the fickleness of celebrity that an actress who has worked with some of the industry’s biggest […]
A Self-Defeating Genre Mashup: On Ryan Coogler’s Sinners (2025)
By Thomas M. Puhr. Coogler’s strong character work in the film’s first half undercuts his efforts to embrace pure horror in its second.” Spoiler Alert Ryan Coogler’s knack for bringing a humanist touch to a variety of genres—starting with social realism (Fruitvale Station), transitioning to crowd-pleasing sports sagas (Creed), and […]