By Shekhar Deshpande. This is the second of two parts about the Oberhausen festival. Read Part I here. The five seminar-workshop sessions organized by the festival this year, in the cozy but somewhat inadequate ‘Festival Space’ across the theater that holds most of the screenings were focused on different aspect […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
