The Man with the Video Camera: an interview with Alain Cavalier

By Santiago Rubín de Celis. The films by Alain Cavalier (born in Vendôme, France, in 1931) are the result of a process of slow, soft erosion. For more than fifty years – from his Nouvelle Vague-style short film Un Américain (‘An American’, 1958) to his 2009 feature, Irène, which is […]