By Christopher Sharrett. The label “master of violence” was long ago affixed to director Sam Peckinpah. Books on Peckinpah with titles like “Bloody Sam,” and studies comparing the director’s films to Kubrick’s icy-cold vision in A Clockwork Orange, insist that we separate uses of violence – an element of drama […]
ONLINE | Thinking Film Since 1973
Jenny Paola Ortega Castillo
A Rich Space for Personal Expression – Alexandra Heller-Nicholas on The Cinema Coven: Witches, Witchcraft and Women’s Filmmaking
Thomas M. Puhr