By Axel Andersson. It was still cold when Stockholm’s documentary film festival Tempo opened in early March. The miserable rain underlined the city’s forlorn dampness for both old and new inhabitants. Roma hounded out of their central European homes by prejudice and persecution to beg through an unforgiving Nordic winter […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
